A multilayered portrait of the artist as a young woman . . . S. H. lays an array of selves, fictive and autobiographical, over each other like transparencies, to reveal deeper patterns. The fallibility of memory, madness and the artistic process are all incisively traced, but male entitlement emerges as the most insistent motif . . . Hustvedt has the imaginative mastery to encase complex ideas in the flesh and blood needed to render them visceral. Benjamin Evans Observer
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