Men Like Ours - Bansinath, Bindu
21,99 €
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Erscheint vorauss. 12. Mai 2026
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"The most promising debut I've read in decades." --Gary Shteyngart, New York Times bestselling author of Our Country Friends From brilliant new voice in fiction Bindu Bansinath, a darkly funny and moving story about death, life, and community in a South Asian suburban enclave of New Jersey. When Matthew Pillai is found dead, slumped over the wheel of his BMW, the women of Willow Road are roped into the investigation of their friend's death. At the center of the case are the Sharmas--Anita, a widow whose husband introduced Matthew to the neighborhood, and her boundary-pushing daughter, Leila,…mehr

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Produktbeschreibung
"The most promising debut I've read in decades." --Gary Shteyngart, New York Times bestselling author of Our Country Friends From brilliant new voice in fiction Bindu Bansinath, a darkly funny and moving story about death, life, and community in a South Asian suburban enclave of New Jersey. When Matthew Pillai is found dead, slumped over the wheel of his BMW, the women of Willow Road are roped into the investigation of their friend's death. At the center of the case are the Sharmas--Anita, a widow whose husband introduced Matthew to the neighborhood, and her boundary-pushing daughter, Leila, who called him Uncle. To Anita, who has been in freefall since her arrival in America as a young woman, Matthew's presence offered hope, including a promise of betterment for Leila. The truth, however, is far stranger. In this darkly funny debut, the women of Willow Road find that despite their internecine quarrels, casual backstabbing, and generational feuds, in the end, there is no one to turn to but each other.
Autorenporträt
Bindu Bansinath is a staff writer for New York Magazine's The Cut. She lives in Jersey City.
Rezensionen
Bindu Bansinath has written the most promising debut I've read in decades. With humor dryer than an Englishman's martini and darker than a moonless night, she delivers a pitch perfect howl against the patriarchy, alongside the portrait of a community in crisis as vivid and complicated as anything out of Morrison or Naipaul.