George Houle, Professor Emeritus of Music at Stanford University and former music director of the New York Pro Musica, is a performer and music historian particularly interested in the Renaissance and Baroque periods. He is editor of Doulce mémoire, Le ballet des fâcheux, and Ockeghem's Missa Cuiusvis Toni, and co-editor of The Music for Viola Bastarda by Jason Paras (all from Indiana University Press).
Inhaltsangabe
Introduction 1. The Origins of the Measure in the Seventeenth Century 2. Time Signatures in the Eighteenth Century 3. Rhythmopoeia: Quantitative Meters in Poetry and Music 4. Quantitas Intrinseca: The Perception of Meter 5. Articulation of Quantitative Meter 6. Accent as Measure Articulation and as Measure Definition Appendix: Rhythmopoeia according to Johann Mattheson and Wolfgang Caspar Printz Notes Bibliography Index
Introduction 1. The Origins of the Measure in the Seventeenth Century 2. Time Signatures in the Eighteenth Century 3. Rhythmopoeia: Quantitative Meters in Poetry and Music 4. Quantitas Intrinseca: The Perception of Meter 5. Articulation of Quantitative Meter 6. Accent as Measure Articulation and as Measure Definition Appendix: Rhythmopoeia according to Johann Mattheson and Wolfgang Caspar Printz Notes Bibliography Index
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