John Warne Monroe is Associate Professor of History at Iowa State University. He is the author of Laboratories of Faith.
Inhaltsangabe
Preface Introduction: The French Paradox of Primitive Art 1. The Making of a Metropolitcan Fetish: A Fang Mask Transformed 2. Inventing Antiquity: Henri Clouzot, André Level, and the Universal History of Primitive Art 3. The Wings of Snobbery: Paul Guillaume and the Launch of Art Nègre, 1911-29 4. From Art Négre to Art Primitif: Black Deco, Ethnology, and Surrealism in the Late 1920s 5. Selling the "Arts of the Ancestors": Charles Ratton, the Art Market, and the Transatlantic Black Diaspora 6. Authenticity Wars: Primitive Art between Metropole and Colony Conclusion: With an Archival Prophecy Acknowledgments List of Archival Abbreviations Notes Index
Preface Introduction: The French Paradox of Primitive Art 1. The Making of a Metropolitcan Fetish: A Fang Mask Transformed 2. Inventing Antiquity: Henri Clouzot, André Level, and the Universal History of Primitive Art 3. The Wings of Snobbery: Paul Guillaume and the Launch of Art Nègre, 1911-29 4. From Art Négre to Art Primitif: Black Deco, Ethnology, and Surrealism in the Late 1920s 5. Selling the "Arts of the Ancestors": Charles Ratton, the Art Market, and the Transatlantic Black Diaspora 6. Authenticity Wars: Primitive Art between Metropole and Colony Conclusion: With an Archival Prophecy Acknowledgments List of Archival Abbreviations Notes Index
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