The first critical analysis of the work of fiveâ time TONY Award-nominated composer, lyricist and librettist Michael John LaChiusa, best known for his innovative and daring works in musical theatre.
The first critical analysis of the work of fiveâ time TONY Award-nominated composer, lyricist and librettist Michael John LaChiusa, best known for his innovative and daring works in musical theatre.
Introduction- "Curiosity": LaChiusa and the Emergence of The New Musical Drama Chapter 1 - "Miracles and Mysteries": "Mongrel America" and the Genre of Marie Christine Chapter 2- "A House That Will Never Be a Home": Historical Imagination and Creativity in First Lady Suite and First Daughter Suite Chapter 3 - "Heartbreak Country": Images of "Americana" in Giant and Queen of the Mist Chapter 4 - "In Some Other Life": Adaptation Theory in Hello Again, See What I Wanna See, and Bernarda Alba Chapter 5 - "To Live in Light": Historical Conversations in The Wild Party Conclusion - "When it Ends": The New Musical Drama Meets Commercial Success
Introduction- "Curiosity": LaChiusa and the Emergence of The New Musical Drama Chapter 1 - "Miracles and Mysteries": "Mongrel America" and the Genre of Marie Christine Chapter 2- "A House That Will Never Be a Home": Historical Imagination and Creativity in First Lady Suite and First Daughter Suite Chapter 3 - "Heartbreak Country": Images of "Americana" in Giant and Queen of the Mist Chapter 4 - "In Some Other Life": Adaptation Theory in Hello Again, See What I Wanna See, and Bernarda Alba Chapter 5 - "To Live in Light": Historical Conversations in The Wild Party Conclusion - "When it Ends": The New Musical Drama Meets Commercial Success
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