The first critical analysis of the work of five-time TONY Award-nominated composer, lyricist and librettist Michael John LaChiusa, best known for his innovative and daring works in musical theatre.
The first critical analysis of the work of five-time TONY Award-nominated composer, lyricist and librettist Michael John LaChiusa, best known for his innovative and daring works in musical theatre.
Joshua Robinson is Assistant Professor of Musical Theatre at University of Southern Indiana, USA. Robinson's research has earned him several honors, including the IU Faculty Memorial Award, The Hubert C. Heffner Award in Theatre History, a Research Fellowship at the New York Library for the Performing Arts, as well as an invitation as participant on the Bruce Kirle Emerging Scholars Panel in Musical Theatre at the Association for Theatre in Higher Education conference as well as the KCACTF/ATHE award for Innovation in Teaching. His publications can be seen in Theatre Topics and Studies in Musical Theatre. In addition to his scholarship, Robinson continues to pursue a career as a director, actor, and playwright.
Inhaltsangabe
Introduction- "Curiosity": LaChiusa and the Emergence of The New Musical Drama Chapter 1 - "Miracles and Mysteries": "Mongrel America" and the Genre of Marie Christine Chapter 2- "A House That Will Never Be a Home": Historical Imagination and Creativity in First Lady Suite and First Daughter Suite Chapter 3 - "Heartbreak Country": Images of "Americana" in Giant and Queen of the Mist Chapter 4 - "In Some Other Life": Adaptation Theory in Hello Again, See What I Wanna See, and Bernarda Alba Chapter 5 - "To Live in Light": Historical Conversations in The Wild Party Conclusion - "When it Ends": The New Musical Drama Meets Commercial Success
Introduction- "Curiosity": LaChiusa and the Emergence of The New Musical Drama Chapter 1 - "Miracles and Mysteries": "Mongrel America" and the Genre of Marie Christine Chapter 2- "A House That Will Never Be a Home": Historical Imagination and Creativity in First Lady Suite and First Daughter Suite Chapter 3 - "Heartbreak Country": Images of "Americana" in Giant and Queen of the Mist Chapter 4 - "In Some Other Life": Adaptation Theory in Hello Again, See What I Wanna See, and Bernarda Alba Chapter 5 - "To Live in Light": Historical Conversations in The Wild Party Conclusion - "When it Ends": The New Musical Drama Meets Commercial Success
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