What happens when communication breaks down? Is it the condition for mistakes and errors that is characteristic of digital culture? And if mistakes and errors have a certain power, what stands behind it? To address these questions, this collection assembles a range of cutting-edge philosophical, socio-political, art historical and media theoretical inquiries that address contemporary culture as a terrain of miscommunication. If the period since the industrial revolution can be thought of as marked by the realisation of the possibilities for global communication, in terms of the telephone,…mehr
What happens when communication breaks down? Is it the condition for mistakes and errors that is characteristic of digital culture? And if mistakes and errors have a certain power, what stands behind it? To address these questions, this collection assembles a range of cutting-edge philosophical, socio-political, art historical and media theoretical inquiries that address contemporary culture as a terrain of miscommunication. If the period since the industrial revolution can be thought of as marked by the realisation of the possibilities for global communication, in terms of the telephone, telegraph, television, and finally the internet, Miscommunications shows that to think about the contemporary historical moment, a new history and theory of these devices needs to be written, one which illustrates the emergence of the current cultures of miscommunication and the powers of the false. The essays in the book chart the new conditions for discourse in the 21st century and collectively show how studies of communication can be refigured when we focus on the capacity for errors, accidents, mistakes, malfunctions and both intentional and non-intentional miscommunications.
Maria Korolkova is a senior lecturer in media and film studies and academic portfolio lead in media at the University of Greenwich, UK, specialising in visual culture, intermediality, film, architecture, cultural theory, and Russian culture. In her research, Maria explores themes of miscommunication and chaos, global media, visual and sonic cultures, as well as the relationship between film and architecture. Maria has curated public events in internationally renowned institutions such as The Barbican, Courtauld Institute of Arts, Regents Street Cinema, London, Centre Pompidou, Paris, and others. Timothy Barker is a senior lecturer in digital media and the head of Film and Television Studies at the University of Glasgow, UK. He is the author of two books, Time and the Digital (2012) and Against Transmission (Bloomsbury, 2017), both of which outline a media philosophical approach for addressing questions of time and mediation in the contemporary world. His broad research interests include digital media theory, philosophies of technology, game studies and process philosophy.
Inhaltsangabe
INTRODUCTION: Bad Operators Timothy Barker, University of Glasgow, UK, and Maria Korolkova, University of Greenwich, UK PART 1: MIS-THEORIES Chapter 1: Affirmative Imperfection Rhetoric and Aesthetics: A Genealogy Ellen Rutten, University of Amsterdam, the Netherlands Chapter 2: Post Communication Theory: The Non-Dialogical Timothy Barker, University of Glasgow, UK Chapter 3: Miscommunication and Democratic Membership Reidar Due, University of Oxford, UK Chapter 4: There is No 'Error' in Techo-logics: A Radically Media-Archaeological Approach Wolfgang Ernst, Humboldt University, Berlin, Germany PART 2: MIS-SOUNDS Chapter 5: Quiet in the Forest Frances Dyson, University of California, USA Chapter 6: The Guardians of the Possible Stephen Kennedy, University of Greenwich, UK Chapter 7: Communicating the Incommunicable: Formalism and Noise in Michel Serres Thomas Sutherland, University of Lincoln, UK PART 3: MIS-MATTERS Chapter 8: Objects Mis-taken: Towards the Aesthetics of Displaced Materiality Maria Korolkova, University of Greenwich, UK Chapter 9: Fai(lure): Encounter with the Unstable Medium in the Work of Art Maryam Muliaee and Mani Mehrvarz, University at Buffalo, USA Chapter 10: A Relational Materialist Approach to Errant Media Systems: The Case of Internet Video Producers John Hondros, City, University of London, UK Chapter 11: Negotiating Two Models of Truth: Satire, Miscommunication and Critique in Elle (2016) Alex Lichtenfels, University of Salford, UK PART 4: MIS-HAPPENINGS Chapter 12: Disastrous Communication: Walter Benjamin's 'The Railway Disaster at the Firth of Tay' Dominic Smith, University of Dundee, UK Chapter 13: Accidental Recordings: Unintentional Media Aesthetics Ella Klik, The Polonsky Academy, Israel Chapter 14: Desert Media. Glitches, Breakdowns, and Media Arrhythmia in the Sahara Andrea Mariani, University of Udine, Italy PART 5: MIS-FUNCTIONS Chapter 15: The Error at the End of the Internet Peter Krapp, University of California, Irvine, USA Chapter 16: From Bugs to Features: An Archaeology of Errors and/in/as Computer Games Stefan Höltgen, Humboldt University, Berlin, Germany Chapter 17: We Interrupt This Programme: On the Cultural Techniques of 'Technical Difficulties' Jörgen Rahm-Skågeby, Stockholm University, Sweden Chapter 18: Glitches as Fictional (Mis)Communication Nele Van de Mosselaer, University of Antwerp, Belgium, and Nathan Wildman, Tilburg University, the Netherlands Index
INTRODUCTION: Bad Operators Timothy Barker, University of Glasgow, UK, and Maria Korolkova, University of Greenwich, UK PART 1: MIS-THEORIES Chapter 1: Affirmative Imperfection Rhetoric and Aesthetics: A Genealogy Ellen Rutten, University of Amsterdam, the Netherlands Chapter 2: Post Communication Theory: The Non-Dialogical Timothy Barker, University of Glasgow, UK Chapter 3: Miscommunication and Democratic Membership Reidar Due, University of Oxford, UK Chapter 4: There is No 'Error' in Techo-logics: A Radically Media-Archaeological Approach Wolfgang Ernst, Humboldt University, Berlin, Germany PART 2: MIS-SOUNDS Chapter 5: Quiet in the Forest Frances Dyson, University of California, USA Chapter 6: The Guardians of the Possible Stephen Kennedy, University of Greenwich, UK Chapter 7: Communicating the Incommunicable: Formalism and Noise in Michel Serres Thomas Sutherland, University of Lincoln, UK PART 3: MIS-MATTERS Chapter 8: Objects Mis-taken: Towards the Aesthetics of Displaced Materiality Maria Korolkova, University of Greenwich, UK Chapter 9: Fai(lure): Encounter with the Unstable Medium in the Work of Art Maryam Muliaee and Mani Mehrvarz, University at Buffalo, USA Chapter 10: A Relational Materialist Approach to Errant Media Systems: The Case of Internet Video Producers John Hondros, City, University of London, UK Chapter 11: Negotiating Two Models of Truth: Satire, Miscommunication and Critique in Elle (2016) Alex Lichtenfels, University of Salford, UK PART 4: MIS-HAPPENINGS Chapter 12: Disastrous Communication: Walter Benjamin's 'The Railway Disaster at the Firth of Tay' Dominic Smith, University of Dundee, UK Chapter 13: Accidental Recordings: Unintentional Media Aesthetics Ella Klik, The Polonsky Academy, Israel Chapter 14: Desert Media. Glitches, Breakdowns, and Media Arrhythmia in the Sahara Andrea Mariani, University of Udine, Italy PART 5: MIS-FUNCTIONS Chapter 15: The Error at the End of the Internet Peter Krapp, University of California, Irvine, USA Chapter 16: From Bugs to Features: An Archaeology of Errors and/in/as Computer Games Stefan Höltgen, Humboldt University, Berlin, Germany Chapter 17: We Interrupt This Programme: On the Cultural Techniques of 'Technical Difficulties' Jörgen Rahm-Skågeby, Stockholm University, Sweden Chapter 18: Glitches as Fictional (Mis)Communication Nele Van de Mosselaer, University of Antwerp, Belgium, and Nathan Wildman, Tilburg University, the Netherlands Index
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