Mixing Pop and Politics

Political Dimensions of Popular Music in the 21st Century
Herausgeber: Hoad, Catherine; Wilson, Oli; Stahl, Geoff

• Gebundenes Buch

Produktbeschreibung

The political has always been part of popular music, but how does that play out in today's musical and political landscape? Mixing Pop and Politics: Political Dimensions of Popular Music in the 21st Century provides an innovative exploration of the complex politics of popular music in its contemporary formations.

Produktdetails

• Verlag: Routledge
• Seitenzahl: 236
• Erscheinungstermin: 29. März 2022
• Englisch
• Abmessung: 235mm x 157mm x 17mm
• Gewicht: 498g
• ISBN-13: 9780367248086
• ISBN-10: 0367248085
• Artikelnr.: 62847276

Autorenporträt

Catherine Hoad is Senior Lecturer in the School of Music and Creative Media Production at Te Kunenga Ki P¿rehuroa/Massey University, Wellington, Aotearoa/New Zealand. Geoff Stahl is Senior Lecturer and Programme Director of Media & Communication, Te Herenga Waka/Victoria University of Wellington, Aotearoa/New Zealand. Oli Wilson is Associate Professor in the College of Creative Arts at Te Kunenga Ki P¿rehuroa/ Massey University, Wellington New Zealand., Massey University, Wellington, Aotearoa/New Zealand.

Inhaltsangabe

1. Navigating a neoliberal city: Experimental music making in Aotearoa/New
Zealand's 'cultural capital' 2. Sharing languages through contemporary song
in the third space: A case study of intercultural collaboration between
Indigenous Australian, Polynesian and Melanesian women 3. The Personal and
the Political: African Popular Music and Diasporic Heritage in Australia 4.
Resisting through music under the neoliberal authoritarian regime:
Political themes in Turkish rap songs 5. Rapping about our history,
imagining our future! The Great Legacy project in the Korean variety show
Infinite Challenge 6. Yes, indeed: Trap and politics 7. Looping alone,
together: Music, community, and environmental self-sustainability in
Aotearoa/New Zealand 8. 'Half-Moghul, half-Mowgli': The representation of
South Asian diasporas in hip hop music 9. Locating labour subjectivities in
contemporary popular music texts 10. Beyond hegemony: Siksa and the
politics of affect 11. 'A message etched on broken ships': Radical
environmentalism and extreme ecometal 12. Good citizenship, telethon and
benefit concert: The politics of the achievable 13. Solidarity as strategy.
Anti-racism and feminism in the work of Titiyo 14. Nostalgia, anti-victim
discourse, and neoliberalism in early 1990s pop: The postfeminist approach
of Wilson Phillips 15. White skin, black masks: Die Antwoord,
post-apartheid South Africa, and global hip hop studies 16. 'I am the cause
to all your problems': Brand New, tattoo coverups, and (im)permanence 17.
Neon-nazis: A fascist foray into vaporwave's synaesthetic world Afterword