Mixing Secrets for the Small Studio is the best-selling primer for small-studio enthusiasts who want chart-ready sonics in a hurry, and this extensively updated third edition now contains sections on DSP phase-linearization, loudness normalisation, oversampling, mixing from stems, frequency shifting, and analogue summing.
Mixing Secrets for the Small Studio is the best-selling primer for small-studio enthusiasts who want chart-ready sonics in a hurry, and this extensively updated third edition now contains sections on DSP phase-linearization, loudness normalisation, oversampling, mixing from stems, frequency shifting, and analogue summing.
Mike Senior is a professional engineer who has worked with Wet Wet Wet, The Charlatans, Reef, Therapy, and Nigel Kennedy. He specializes in adapting the techniques of top producers for those working in small studios and on a tight budget. He has transformed more than 65 amateur productions for Sound On Sound magazine's popular "Mix Rescue" column, proving time and again that you can achieve commercial-grade results with affordable gear-once you know how!
Inhaltsangabe
Part I: Hearing and Listening 1. Using Nearfield Monitors 2. Supplementary Monitoring 3. Low-End Damage Limitation 4. From Subjective Impressions to Objective Results Part II: Mix Preparation 5. Essential Groundwork 6. Timing and Tuning Adjustments 7. Comping and Arrangement Part III: Balance 8. Building the Raw Balance 9. Compressing for a Reason 10. Beyond Compression 11. Equalizing for a Reason 12. Beyond EQ 13. Frequency-Selective Dynamics 14. The Power of Side Chains 15. Toward Fluent Balancing Part IV: Sweetening to Taste 16. Mixing with Reverb 17. Mixing with Delays 18. Stereo Enhancements 19. Master-Buss Processing and Referencing 20. Automation and Endgame 21. Conclusion
Table of Contents
Part 1 Hearing & Listening
Chapter 1 Using Nearfield Monitors
Chapter 2 Supplementary Monitoring
Chapter 3 Low-end Damage Limitation
Chapter 4 From Subjective Impressions To Objective Results
Part 2 Mix Preparation
Chapter 5 Essential Groundwork
Chapter 6 Timing and Tuning Adjustments
Chapter 7 Comping and Arrangement
Part 3 Balance
Chapter 8 Building the Raw Balance
Chapter 9 Compressing for a Reason
Chapter 10 Beyond Compression
Chapter 11 Equalizing for a Reason
Chapter 12 Beyond EQ
Chapter 13 Frequency-Selective Dynamics
Chapter 14 The Power Of Side Chains
Chapter 15 Toward Fluent Balancing
Part 4 Sweetening to Taste
Chapter 16 Mixing with Reverb
Chapter 17 Mixing with Delays
Chapter 18 Stereo Enhancements
Chapter 19 Master-buss Processing, Automation, and Endgame
Chapter 20 Conclusion
Appendix 1 Music Studios and the Recording Process: An Overview
Part I: Hearing and Listening 1. Using Nearfield Monitors 2. Supplementary Monitoring 3. Low-End Damage Limitation 4. From Subjective Impressions to Objective Results Part II: Mix Preparation 5. Essential Groundwork 6. Timing and Tuning Adjustments 7. Comping and Arrangement Part III: Balance 8. Building the Raw Balance 9. Compressing for a Reason 10. Beyond Compression 11. Equalizing for a Reason 12. Beyond EQ 13. Frequency-Selective Dynamics 14. The Power of Side Chains 15. Toward Fluent Balancing Part IV: Sweetening to Taste 16. Mixing with Reverb 17. Mixing with Delays 18. Stereo Enhancements 19. Master-Buss Processing and Referencing 20. Automation and Endgame 21. Conclusion
Table of Contents
Part 1 Hearing & Listening
Chapter 1 Using Nearfield Monitors
Chapter 2 Supplementary Monitoring
Chapter 3 Low-end Damage Limitation
Chapter 4 From Subjective Impressions To Objective Results
Part 2 Mix Preparation
Chapter 5 Essential Groundwork
Chapter 6 Timing and Tuning Adjustments
Chapter 7 Comping and Arrangement
Part 3 Balance
Chapter 8 Building the Raw Balance
Chapter 9 Compressing for a Reason
Chapter 10 Beyond Compression
Chapter 11 Equalizing for a Reason
Chapter 12 Beyond EQ
Chapter 13 Frequency-Selective Dynamics
Chapter 14 The Power Of Side Chains
Chapter 15 Toward Fluent Balancing
Part 4 Sweetening to Taste
Chapter 16 Mixing with Reverb
Chapter 17 Mixing with Delays
Chapter 18 Stereo Enhancements
Chapter 19 Master-buss Processing, Automation, and Endgame
Chapter 20 Conclusion
Appendix 1 Music Studios and the Recording Process: An Overview
Appendix 2 Who's Who: Selected Discography
Appendix 3 Quote References
Appendix 4 Picture Credits
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
