Andere Kunden interessierten sich auch für
![A Sense of Apocalypse]( "A Sense of Apocalypse")
A Sense of Apocalypse44,25 €![Fiction and the Incompleteness of History]( "Fiction and the Incompleteness of History")
Fiction and the Incompleteness of History66,15 €![The Past is Present]( "The Past is Present")
The Past is Present81,70 €!['A Form Foredoomed to Looseness']( "'A Form Foredoomed to Looseness'")
'A Form Foredoomed to Looseness'64,95 €![New Literary Portraits of the American West]( "New Literary Portraits of the American West")
New Literary Portraits of the American West105,15 €![The Island Motif in the Fiction of L. M. Montgomery, Margaret Laurence, Margaret Atwood, and Other Canadian Women Novelists]( "The Island Motif in the Fiction of L. M. Montgomery, Margaret Laurence, Margaret Atwood, and Other Canadian Women Novelists")
The Island Motif in the Fiction of L. M. Montgomery, Margaret Laurence, Margaret Atwood, and Other Canadian Women Novelists66,95 €![Intertextual Transactions in American and Irish Fictions]( "Intertextual Transactions in American and Irish Fictions")
Intertextual Transactions in American and Irish Fictions74,60 €
The masterworks of modern fiction gained their status partly because their artistic imperfections were overlooked or read as strengths. Exploring the flawed, unfinished, and circumscribed qualities of fiction by five modernist writers, this study examines their struggles with artistic self-subversion. Both the critical tradition that gave rise to the reputations of Conrad, Joyce, Fitzgerald, Faulkner, and Hemingway, and the ideological reactions against it, are based on the assumption of their monumental achievements. A reassessment of their stature counters their elitist image and places them in a more sympathetic relation with the writers of postmodernism.