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Describes how Western art institutions and vocabulary were transplanted to Japan in the late nineteenth century, exposing the politics through which the words, categories, and values that structure our understanding of the field came to be while revealing the historicity of Western and non-Western art history.

Produktbeschreibung
Describes how Western art institutions and vocabulary were transplanted to Japan in the late nineteenth century, exposing the politics through which the words, categories, and values that structure our understanding of the field came to be while revealing the historicity of Western and non-Western art history.
Autorenporträt
Doshin Sato is professor of Japanese art history at the Tokyo University of the Arts. The original Japanese edition of this book, published in 1999, was the winner of the Suntory Prize for Social Sciences and Humanities.