Modern Japanese Theatre and Performance
Herausgeber: Jortner, David; Wetmore, Kevin J; McDonald, Keiko I
Modern Japanese Theatre and Performance
Herausgeber: Jortner, David; Wetmore, Kevin J; McDonald, Keiko I
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Modern Japanese Theatre and Performance is a collection of sixteen essays on Japanese theatre, including historical overviews of twentieth century theatre, analyses of specific productions and individuals, and consideration of the intercultural nature of modern Japanese theatre. Also included is a new translation of a "Superkyogen" play.
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Modern Japanese Theatre and Performance is a collection of sixteen essays on Japanese theatre, including historical overviews of twentieth century theatre, analyses of specific productions and individuals, and consideration of the intercultural nature of modern Japanese theatre. Also included is a new translation of a "Superkyogen" play.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 310
- Erscheinungstermin: 23. März 2006
- Englisch
- Abmessung: 240mm x 161mm x 21mm
- Gewicht: 631g
- ISBN-13: 9780739111529
- ISBN-10: 0739111523
- Artikelnr.: 21035268
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 310
- Erscheinungstermin: 23. März 2006
- Englisch
- Abmessung: 240mm x 161mm x 21mm
- Gewicht: 631g
- ISBN-13: 9780739111529
- ISBN-10: 0739111523
- Artikelnr.: 21035268
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Edited by David Jortner; Keiko I. McDonald and Kevin J. Wetmore Jr. - Contributions by Bruce Baird; Steven J. Clark; Yoshiko Fukushima; John K. Gillespie; David G. Goodman; Megumi Inoue; Margaret Key; Laurence R. Kominz; Carol Martin; M Cody Poulton; Jona
Chapter 1 Introduction: Modern Japanese Theatre (Revisited) Part 2 Shingeki
History Chapter 3 Why Did Sewamono Not Grow into Modern Realist Theatre?
Chapter 4 The Rhetoric of the Real Chapter 5 Moment(um) of Memory:
Metapatterns in Japanese Theatre Since the 1960s Chapter 6 The Quest for
Salvation in Japan's Modern History: Four Plays by Akimoto Matsuyo Chapter
7 Poison Women and National Identity in Postwar Japanese Performance
Chapter 8 Senda Koreya and the Tenko Paradigm Part 9 Experimental
Theatre(s) and Border Crossings Chapter 10 Structureless in Structure: The
Choreographic Tectonics of Hijikata Tatsumi's Buto Chapter 11 Terayama in
Amsterdam and the Internationalization of Experimental Theatre Chapter 12
Super-kyogen: Radically Traditional Utopian Comedies Chapter 13 Classical
Japanese Performance in a Contemporary Context: A Traditional Strategy of
Juxtaposition Part 14 Specific Plays and Productions in Modern Japan
Chapter 15 Illegitimate Child of Shingeki: Soganoya Gokuro and His Nonkina
tosan (Easygoing Daddy) Chapter 16 Reflections of and on the Times:
Morimoto Kaoru's A Woman's Life Chapter 17 Steeplechase: Mishima Yukio's
Only Original Modern No Play Chapter 18 "Destroying the Audience's Alibi":
Empathy and Ethics in Abe Kobo's Mihitsu no koi Chapter 19 Divine Memory
and Abject Reality: Miyagi Satoshi's Tenshu Monogatari and Simizu Shinjin's
Bye Bye: The New Primitive Chapter 20 From Scaretto to Kaze to tomo ni
sarinu: Musical Adaptations of Gone with the Wind in Japan Part 21 A
Super-kyogen Script Chapter 22 Mutsugoro (Mudskippers)
History Chapter 3 Why Did Sewamono Not Grow into Modern Realist Theatre?
Chapter 4 The Rhetoric of the Real Chapter 5 Moment(um) of Memory:
Metapatterns in Japanese Theatre Since the 1960s Chapter 6 The Quest for
Salvation in Japan's Modern History: Four Plays by Akimoto Matsuyo Chapter
7 Poison Women and National Identity in Postwar Japanese Performance
Chapter 8 Senda Koreya and the Tenko Paradigm Part 9 Experimental
Theatre(s) and Border Crossings Chapter 10 Structureless in Structure: The
Choreographic Tectonics of Hijikata Tatsumi's Buto Chapter 11 Terayama in
Amsterdam and the Internationalization of Experimental Theatre Chapter 12
Super-kyogen: Radically Traditional Utopian Comedies Chapter 13 Classical
Japanese Performance in a Contemporary Context: A Traditional Strategy of
Juxtaposition Part 14 Specific Plays and Productions in Modern Japan
Chapter 15 Illegitimate Child of Shingeki: Soganoya Gokuro and His Nonkina
tosan (Easygoing Daddy) Chapter 16 Reflections of and on the Times:
Morimoto Kaoru's A Woman's Life Chapter 17 Steeplechase: Mishima Yukio's
Only Original Modern No Play Chapter 18 "Destroying the Audience's Alibi":
Empathy and Ethics in Abe Kobo's Mihitsu no koi Chapter 19 Divine Memory
and Abject Reality: Miyagi Satoshi's Tenshu Monogatari and Simizu Shinjin's
Bye Bye: The New Primitive Chapter 20 From Scaretto to Kaze to tomo ni
sarinu: Musical Adaptations of Gone with the Wind in Japan Part 21 A
Super-kyogen Script Chapter 22 Mutsugoro (Mudskippers)
Chapter 1 Introduction: Modern Japanese Theatre (Revisited) Part 2 Shingeki
History Chapter 3 Why Did Sewamono Not Grow into Modern Realist Theatre?
Chapter 4 The Rhetoric of the Real Chapter 5 Moment(um) of Memory:
Metapatterns in Japanese Theatre Since the 1960s Chapter 6 The Quest for
Salvation in Japan's Modern History: Four Plays by Akimoto Matsuyo Chapter
7 Poison Women and National Identity in Postwar Japanese Performance
Chapter 8 Senda Koreya and the Tenko Paradigm Part 9 Experimental
Theatre(s) and Border Crossings Chapter 10 Structureless in Structure: The
Choreographic Tectonics of Hijikata Tatsumi's Buto Chapter 11 Terayama in
Amsterdam and the Internationalization of Experimental Theatre Chapter 12
Super-kyogen: Radically Traditional Utopian Comedies Chapter 13 Classical
Japanese Performance in a Contemporary Context: A Traditional Strategy of
Juxtaposition Part 14 Specific Plays and Productions in Modern Japan
Chapter 15 Illegitimate Child of Shingeki: Soganoya Gokuro and His Nonkina
tosan (Easygoing Daddy) Chapter 16 Reflections of and on the Times:
Morimoto Kaoru's A Woman's Life Chapter 17 Steeplechase: Mishima Yukio's
Only Original Modern No Play Chapter 18 "Destroying the Audience's Alibi":
Empathy and Ethics in Abe Kobo's Mihitsu no koi Chapter 19 Divine Memory
and Abject Reality: Miyagi Satoshi's Tenshu Monogatari and Simizu Shinjin's
Bye Bye: The New Primitive Chapter 20 From Scaretto to Kaze to tomo ni
sarinu: Musical Adaptations of Gone with the Wind in Japan Part 21 A
Super-kyogen Script Chapter 22 Mutsugoro (Mudskippers)
History Chapter 3 Why Did Sewamono Not Grow into Modern Realist Theatre?
Chapter 4 The Rhetoric of the Real Chapter 5 Moment(um) of Memory:
Metapatterns in Japanese Theatre Since the 1960s Chapter 6 The Quest for
Salvation in Japan's Modern History: Four Plays by Akimoto Matsuyo Chapter
7 Poison Women and National Identity in Postwar Japanese Performance
Chapter 8 Senda Koreya and the Tenko Paradigm Part 9 Experimental
Theatre(s) and Border Crossings Chapter 10 Structureless in Structure: The
Choreographic Tectonics of Hijikata Tatsumi's Buto Chapter 11 Terayama in
Amsterdam and the Internationalization of Experimental Theatre Chapter 12
Super-kyogen: Radically Traditional Utopian Comedies Chapter 13 Classical
Japanese Performance in a Contemporary Context: A Traditional Strategy of
Juxtaposition Part 14 Specific Plays and Productions in Modern Japan
Chapter 15 Illegitimate Child of Shingeki: Soganoya Gokuro and His Nonkina
tosan (Easygoing Daddy) Chapter 16 Reflections of and on the Times:
Morimoto Kaoru's A Woman's Life Chapter 17 Steeplechase: Mishima Yukio's
Only Original Modern No Play Chapter 18 "Destroying the Audience's Alibi":
Empathy and Ethics in Abe Kobo's Mihitsu no koi Chapter 19 Divine Memory
and Abject Reality: Miyagi Satoshi's Tenshu Monogatari and Simizu Shinjin's
Bye Bye: The New Primitive Chapter 20 From Scaretto to Kaze to tomo ni
sarinu: Musical Adaptations of Gone with the Wind in Japan Part 21 A
Super-kyogen Script Chapter 22 Mutsugoro (Mudskippers)







