This all-in-one guide to printmaking techniques is a complete technical and inspirational book on the history and contemporary processes for relief, intaglio, lithography, serigraphy, mixed media/transfers and post digital graphics, with extended profiles of a wide range of contemporary printmakers.
This all-in-one guide to printmaking techniques is a complete technical and inspirational book on the history and contemporary processes for relief, intaglio, lithography, serigraphy, mixed media/transfers and post digital graphics, with extended profiles of a wide range of contemporary printmakers.
Foreword by Ira Goldberg vi Acknowledgments viii Introduction 1 Some Basic Terms and Definitions 2 About This Book 7 Part I: Relief Printmaking 1 Relief Printmaking Background and Basics 11 A Brief History 11 Western- versus Japanese-Style Relief Printing 18 2 Woodblock Printing 29 Equipment and Materials for Woodcuts 29 Reduction-Method Woodblock Printing 31 Western-Style Multiblock Woodcuts 43 Japanese-Style Multiblock Woodcuts (Ukiyo-e) 44 3 Linoleum Block Printing 49 Equipment and Materials for Linocuts 49 Single-Color (Black and White) Linocuts 50 Color Reduction Linocuts 53 Part II: Intaglio Printmaking 4 Intaglio Printmaking Background and Basics 61 A Brief History 65 Equipment and Materials 72 Preparing the Plate 77 5 Non-Acid Intaglio Techniques 81 Drypoint 82 Engraving 83 Mezzotint 87 6 Acid Intaglio Techniques 97 Hard Ground Etching 97 Soft Ground Etching 103 Aquatint 109 Acid-Resist Open Bite Etching 125 Embossing 129 Sugar Lift 132 7 Collography 137 8 Photo-Etching and Photogravure 143 Polymer Photo-Etching 143 Toner Transfer Photo-Etching 151 Polymer Photogravure 155 9 Printing Intaglio 159 Printing in Monochrome 159 Printing in Multiple Colors à la Poupée 162 Printing in Multiple Colors—Color Separation Method 163 Roll-up Viscosity Printing 163 Part III: Lithography And Serigraphy 10 Lithography 169 A Brief History 171 Equipment and Materials 177 Stone Lithography 181 Hand-Drawn Lithography on Aluminum 200 Photolithography 206 Pronto Polyester Lithography 214 Paper Lithography 221 11 Serigraphy 225 A Brief History 226 Equipment and Materials 228 Basic Screen Printing Techniques 230 Part IV: Chine-Collé, Mixed Media, and New Printmaking Techniques 12 Chine-Collé 239 13 Mixed Media 251 Richard Pitts 252 Jase Clark 256 Slavko Djuric 260 Shelley Thorstensen 264 Janet Millstein 268 Marcin Wlodarczyk 272 14 Digital Transfers 276 15 Post-Digital Graphics 285 Resources 296 For Further Reading 299 About the Author 301 Index 302
Foreword by Ira Goldberg vi Acknowledgments viii Introduction 1 Some Basic Terms and Definitions 2 About This Book 7 Part I: Relief Printmaking 1 Relief Printmaking Background and Basics 11 A Brief History 11 Western- versus Japanese-Style Relief Printing 18 2 Woodblock Printing 29 Equipment and Materials for Woodcuts 29 Reduction-Method Woodblock Printing 31 Western-Style Multiblock Woodcuts 43 Japanese-Style Multiblock Woodcuts (Ukiyo-e) 44 3 Linoleum Block Printing 49 Equipment and Materials for Linocuts 49 Single-Color (Black and White) Linocuts 50 Color Reduction Linocuts 53 Part II: Intaglio Printmaking 4 Intaglio Printmaking Background and Basics 61 A Brief History 65 Equipment and Materials 72 Preparing the Plate 77 5 Non-Acid Intaglio Techniques 81 Drypoint 82 Engraving 83 Mezzotint 87 6 Acid Intaglio Techniques 97 Hard Ground Etching 97 Soft Ground Etching 103 Aquatint 109 Acid-Resist Open Bite Etching 125 Embossing 129 Sugar Lift 132 7 Collography 137 8 Photo-Etching and Photogravure 143 Polymer Photo-Etching 143 Toner Transfer Photo-Etching 151 Polymer Photogravure 155 9 Printing Intaglio 159 Printing in Monochrome 159 Printing in Multiple Colors à la Poupée 162 Printing in Multiple Colors—Color Separation Method 163 Roll-up Viscosity Printing 163 Part III: Lithography And Serigraphy 10 Lithography 169 A Brief History 171 Equipment and Materials 177 Stone Lithography 181 Hand-Drawn Lithography on Aluminum 200 Photolithography 206 Pronto Polyester Lithography 214 Paper Lithography 221 11 Serigraphy 225 A Brief History 226 Equipment and Materials 228 Basic Screen Printing Techniques 230 Part IV: Chine-Collé, Mixed Media, and New Printmaking Techniques 12 Chine-Collé 239 13 Mixed Media 251 Richard Pitts 252 Jase Clark 256 Slavko Djuric 260 Shelley Thorstensen 264 Janet Millstein 268 Marcin Wlodarczyk 272 14 Digital Transfers 276 15 Post-Digital Graphics 285 Resources 296 For Further Reading 299 About the Author 301 Index 302
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