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Shakespeare's plays have never had a larger audience than they do in our time. This wide viewing is complemented by modern scholarship, which has verified and elucidated the plays' texts. Nevertheless, Shakespeare's plays continue to be revised. In order to find out how and why he has been rewritten, Ruby Cohn examines modern dramatic offshoots in English, French, and German. Surveying drama intended for the serious theater, the author discusses modern versions of Shakespeare's plays, especially Macbeth, Hamlet, King Lear, and The Tempest. Although the focus is always on drama, contrast is…mehr

Produktbeschreibung
Shakespeare's plays have never had a larger audience than they do in our time. This wide viewing is complemented by modern scholarship, which has verified and elucidated the plays' texts. Nevertheless, Shakespeare's plays continue to be revised. In order to find out how and why he has been rewritten, Ruby Cohn examines modern dramatic offshoots in English, French, and German. Surveying drama intended for the serious theater, the author discusses modern versions of Shakespeare's plays, especially Macbeth, Hamlet, King Lear, and The Tempest. Although the focus is always on drama, contrast is supplied by fiction stemming from Hamlet and essays inspired by King Lear. The book concludes with an assessment of the influence of Shakespeare on the creative work of Shaw, Brecht, and Beckett. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Autorenporträt
Ruby Cohn(1922 - 2011)was for 30 years at UC Davis, where she was a member of the comparative literature and theatre departments and affiliated with the English and French departments. She taught courses on modern and experimental drama, Shakespeare's legacies in modern drama, dramatic genres, and Samuel Beckett and his contemporaries. She was one of the foremost authorities on the work of Samuel Beckett and published a number of books on his work, including A Beckett Canon (2001).