In this volume, Simon Joyce examines the ways in which readers have come to view canonical modernists such as James Joyce and Virginia Woolf, showing how their work might be read in conjunction with lesser-known Irish and 'New Woman' novelists such as George Moore, Sarah Grand, and George Egerton.
In this volume, Simon Joyce examines the ways in which readers have come to view canonical modernists such as James Joyce and Virginia Woolf, showing how their work might be read in conjunction with lesser-known Irish and 'New Woman' novelists such as George Moore, Sarah Grand, and George Egerton.
Simon Joyce is the Margaret Hamilton Professor of English at the College of William and Mary, Virginia. His previous books include Capital Offenses: Geographies of Class and Crime in Victorian London (2003) and The Victorians in the Rearview Mirror (2007).
Inhaltsangabe
1. How Zola crossed (and didn't cross) the English Channel 2. Portraits and artists: impressionism and naturalism 3. A naturalism for Ireland 4. Proto-sensitivity: naturalism, aestheticism, and the New Woman novel 5. The voice of witlessness: Virginia Woolf and the poor.
1. How Zola crossed (and didn't cross) the English Channel 2. Portraits and artists: impressionism and naturalism 3. A naturalism for Ireland 4. Proto-sensitivity: naturalism, aestheticism, and the New Woman novel 5. The voice of witlessness: Virginia Woolf and the poor.
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