Drawing on works in a variety of genres, Gayle Rogers reconstructs an archive of cross-cultural exchanges to reveal the mutual constitution of two modernist movements ¿ one in Britain, the other in Spain, and stretching at key moments in between Ireland and the Americas.
Drawing on works in a variety of genres, Gayle Rogers reconstructs an archive of cross-cultural exchanges to reveal the mutual constitution of two modernist movements ¿ one in Britain, the other in Spain, and stretching at key moments in between Ireland and the Americas.
Gayle Rogers is Assistant Professor of English at the University of Pittsburgh
Inhaltsangabe
* Introduction * The Question of Spain and the Cultural Map of Interwar Europe * Chapter One * An Anglo-Spanish Vanguard: The Criterion, the Revista de Occidente, and the Periodical Project of the New Europe * Chapter Two * Joyce and the Spanish Ulysses * Chapter Three * Lytton Strachey and La nueva biografía in Spain: Avant-garde Literature, * the New Liberalism, and the Ruins of the Nineteenth Century * Chapter Four * Virginia Woolf and the Spanish Civil War: Three Guineas, Victoria Ocampo, and International Feminism * Chapter Five * Spain in Translation and Revision: Spender, Altolaguirre, and Lorca in British Literary Culture * Conclusion * Modernism, War, and the Memory of Spain after 1939 * Appendix Antonio Marichalar, "James Joyce in His Labyrinth"
* Introduction * The Question of Spain and the Cultural Map of Interwar Europe * Chapter One * An Anglo-Spanish Vanguard: The Criterion, the Revista de Occidente, and the Periodical Project of the New Europe * Chapter Two * Joyce and the Spanish Ulysses * Chapter Three * Lytton Strachey and La nueva biografía in Spain: Avant-garde Literature, * the New Liberalism, and the Ruins of the Nineteenth Century * Chapter Four * Virginia Woolf and the Spanish Civil War: Three Guineas, Victoria Ocampo, and International Feminism * Chapter Five * Spain in Translation and Revision: Spender, Altolaguirre, and Lorca in British Literary Culture * Conclusion * Modernism, War, and the Memory of Spain after 1939 * Appendix Antonio Marichalar, "James Joyce in His Labyrinth"
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