Modernism and Time Machines places the fascination with time in canonical works of twentieth-century literature and art side-by-side with the rise of time-travel narratives and alternate histories in popular culture.
Modernism and Time Machines places the fascination with time in canonical works of twentieth-century literature and art side-by-side with the rise of time-travel narratives and alternate histories in popular culture.
Charles M. Tung is currently an Associate Professor of English at Seattle University. His publications have appeared in ASAP/Journal, Modernism/Modernity, Configurations, and Symploke.
Inhaltsangabe
Acknowledgements List of Figures Introduction: Modernism, Time Machines, and the Defamiliarization of Time 1. The Heterochronic Past and Sidewise Historicity: Pablo Picasso, T. S. Eliot, and Murray Leinster 2. Alternate History and the Presence of Other Presents: Virginia Woolf, Philip Dick, and Christopher Nolan 3. Time Lags and Differential Pace: Bullet Time, William Faulkner, and Jessica Hagedorn 4. Temporal Scale, the Far Future, and Inhuman Times: Foresight in Wells and Woolf, Time Travel in Olaf Stapledon and Terence Malick Conclusion Bibliography Index
Acknowledgements List of Figures Introduction: Modernism, Time Machines, and the Defamiliarization of Time 1. The Heterochronic Past and Sidewise Historicity: Pablo Picasso, T. S. Eliot, and Murray Leinster 2. Alternate History and the Presence of Other Presents: Virginia Woolf, Philip Dick, and Christopher Nolan 3. Time Lags and Differential Pace: Bullet Time, William Faulkner, and Jessica Hagedorn 4. Temporal Scale, the Far Future, and Inhuman Times: Foresight in Wells and Woolf, Time Travel in Olaf Stapledon and Terence Malick Conclusion Bibliography Index
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