Reveals Euripides' ground-breaking use of monody, or solo actor's song, in his late tragedies. Contributing to the current scholarly debate on music, emotion, and characterization in Greek drama, Claire Catenaccio examines the role of monody in the musical design of Ion, Iphigenia among the Taurians, Phoenician Women, and Orestes.
Reveals Euripides' ground-breaking use of monody, or solo actor's song, in his late tragedies. Contributing to the current scholarly debate on music, emotion, and characterization in Greek drama, Claire Catenaccio examines the role of monody in the musical design of Ion, Iphigenia among the Taurians, Phoenician Women, and Orestes.
CLAIRE CATENACCIO is a scholar of Ancient Greek literature and its modern reception. As a dramaturge and director, she has worked extensively with contemporary productions of ancient plays. She is a member of the faculty of Classics at Georgetown University.
Inhaltsangabe
Introduction: the song at work 1. Ion: Monody as Ag¿n 2. Iphigenia among the Taurians: memory and movement 3. Phoenician women: the lyric voice of a shattered house 4. Orestes: monody as messenger speech Conclusion: freedom and form.
Introduction: the song at work 1. Ion: Monody as Ag¿n 2. Iphigenia among the Taurians: memory and movement 3. Phoenician women: the lyric voice of a shattered house 4. Orestes: monody as messenger speech Conclusion: freedom and form.
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