This book ties together social and medical history, Disability Studies, and Monster Studies to argue that people discussed unusual bodies in early modern England because they provided newsworthy entertainment, revealed the will of God, and demonstrated the internal workings of Nature.
This book ties together social and medical history, Disability Studies, and Monster Studies to argue that people discussed unusual bodies in early modern England because they provided newsworthy entertainment, revealed the will of God, and demonstrated the internal workings of Nature.
Whitney Dirks received her PhD in History at The Ohio State University in 2013. Her research on bodies and unusual anatomies in early modern England is grounded in social history and interacts with a number of interdisciplinary fields: Disability, Fat, Sexuality, and Monster Studies. She is particularly driven by microhistorical approaches and the allure of diving deeply into her source material - conducting close readings of medical treatises, legal cases, and popular print - while exploring connections to broader social concerns, such as Othering and constructions of normalcy.
Inhaltsangabe
Acknowledgments Dedication Conventions and Abbreviations Preface: A Note about Form Étude 1: An Anomalous Birth Chapter 1: Introduction: Monstrosity Disability and Knowledge Étude 2: A Newsworthy Event Chapter 2: Monstrous Print Étude 3: A Popular Attraction Chapter 3: Monstrous Shows Étude 4: The Expert Visitor Chapter 4: The Royal Society Étude 5: A Decorative Commodity Chapter 5: Visual Culture Étude 6: The Lawsuit Chapter 6: Conclusion: Autonomy Agency and Unfree Labour Bibliographical Abbreviations Primary Sources: Archival Primary Sources: Printed Visual Material Modern Editions Secondary Sources.
Acknowledgments Dedication Conventions and Abbreviations Preface: A Note about Form Étude 1: An Anomalous Birth Chapter 1: Introduction: Monstrosity Disability and Knowledge Étude 2: A Newsworthy Event Chapter 2: Monstrous Print Étude 3: A Popular Attraction Chapter 3: Monstrous Shows Étude 4: The Expert Visitor Chapter 4: The Royal Society Étude 5: A Decorative Commodity Chapter 5: Visual Culture Étude 6: The Lawsuit Chapter 6: Conclusion: Autonomy Agency and Unfree Labour Bibliographical Abbreviations Primary Sources: Archival Primary Sources: Printed Visual Material Modern Editions Secondary Sources.
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