The Moral Economies of American Authorship argues that the moral character of authors became a kind of literary property within mid-nineteenth-century America's expanding print marketplace, shaping the construction, promotion, and reception of texts as well as of literary reputations.
The Moral Economies of American Authorship argues that the moral character of authors became a kind of literary property within mid-nineteenth-century America's expanding print marketplace, shaping the construction, promotion, and reception of texts as well as of literary reputations.
Susan M. Ryan is Associate Professor of English at the University of Louisville. She is the author of The Grammar of Good Intentions: Race and the Antebellum Culture of Benevolence.
Inhaltsangabe
Introduction: Moral Markets Chapter 1. Fenimore Cooper, Property, and the Trials of National Authorship Chapter 2. Paratexts and the Making of Moral Authority Chapter 3. Frederick Douglass's Marketing of Moral Repair Chapter 4. The Currency of Reputation Chapter 5. Stowe, Byron, and the Art of Scandal Epilogue: Reputation Redux Notes Index
Introduction: Moral Markets Chapter 1. Fenimore Cooper, Property, and the Trials of National Authorship Chapter 2. Paratexts and the Making of Moral Authority Chapter 3. Frederick Douglass's Marketing of Moral Repair Chapter 4. The Currency of Reputation Chapter 5. Stowe, Byron, and the Art of Scandal Epilogue: Reputation Redux Notes Index
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