Brian T. Edwards is Assistant Professor of English and Comparative Literary Studies at Northwestern University.
Inhaltsangabe
List of Illustrations ix Acknowledgments xi Introduction: Morocco Bound, 1942–1973 1 Part I: Taking Casablanca 1. American Orientalism: Taking Casablanca 29 2. Sheltering Screens: Paul Bowles and Foreign Relations 78 II. Queer Tangier 3. Tangier(s): The Multiple Cold War Contexts of the International Zone 121 4. Disorienting the National Subject: Burroughs's Tangier, Hitchcock's Marrakech 158 5. Three Serious Writers Two Serious Authors: Jane Bowles, Mohammed Mrabet, and the Erotics of Collaboration Politics of Translation 198 III. Marrackech Express 6. Hippie Orientalism: The Interpretation of Countercultures 247 Notes 303 Works Cited 335 Index 351
List of Illustrations ix Acknowledgments xi Introduction: Morocco Bound, 1942–1973 1 Part I: Taking Casablanca 1. American Orientalism: Taking Casablanca 29 2. Sheltering Screens: Paul Bowles and Foreign Relations 78 II. Queer Tangier 3. Tangier(s): The Multiple Cold War Contexts of the International Zone 121 4. Disorienting the National Subject: Burroughs's Tangier, Hitchcock's Marrakech 158 5. Three Serious Writers Two Serious Authors: Jane Bowles, Mohammed Mrabet, and the Erotics of Collaboration Politics of Translation 198 III. Marrackech Express 6. Hippie Orientalism: The Interpretation of Countercultures 247 Notes 303 Works Cited 335 Index 351
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