The purpose of this book is to undertake an analysis from a variety of scholarly standpoints of the innovative ways in which both the political process and the entertainment industry appeal to voters under 30 and how these endeavors are received by the intended audience. Along the way, the book sheds light on the state of the modern American political system and its relationship to entertainment and popular culture.
The purpose of this book is to undertake an analysis from a variety of scholarly standpoints of the innovative ways in which both the political process and the entertainment industry appeal to voters under 30 and how these endeavors are received by the intended audience. Along the way, the book sheds light on the state of the modern American political system and its relationship to entertainment and popular culture.
Brian Cogan is associate professor in the Department of Communication Arts at Molloy College. Tony Kelso is associate professor of mass communication at Iona College.
Inhaltsangabe
1 Contents Chapter 2 Foreword Chapter 3 Introduction. At the Intersection of Politics and Popular Culture: Over Two Hundred Years of Great Entertainment Part 4 I. Setting the Stage Chapter 5 1. Different Experiences of Young Adults and Other Adults in Mediated Campaigns Chapter 6 2. Links, Chicks, Blogs, Banners: Using the Internet for Youth Voter Mobilization Part 7 II. The Performance Chapter 8 3. Rock the Vote: An Insider's Account of the 2004 Campaign Strategy Chapter 9 4. "Comic Elections and Real News?" The Daily Show, Satire, Public Discourse, and the New Voter Chapter 10 5. Lessons in Appealing to the Young Non-Voter: Michael Moore's Slackers Uprising Tour Chapter 11 6. Screening Abu Ghraib, Reelecting the President: The Symbolic Politics of Torture in Fiction Film and Television, 2003-2005 Chapter 12 7. Cast a Vote: Yo: Targeting the Hip-Hop Generation through Popular Culture Part 13 III. Evaluating the Show Chapter 14 8. Soft News and Young Voters: Why They Tune into It and What They Get Out of It Chapter 15 9. Thin Democracy/Thick Citizenry: Interactive Media and its Lessons for Young Citizens/Consumers Chapter 16 10. Just Don't to Vote or Die, Bitch! A Giant Douche, a Turd Sandwich, Hardcore Puppet Sex, and the Reinvention of Political (Un)Involvement Chapter 17 Index Chapter 18 About the Contributors
1 Contents Chapter 2 Foreword Chapter 3 Introduction. At the Intersection of Politics and Popular Culture: Over Two Hundred Years of Great Entertainment Part 4 I. Setting the Stage Chapter 5 1. Different Experiences of Young Adults and Other Adults in Mediated Campaigns Chapter 6 2. Links, Chicks, Blogs, Banners: Using the Internet for Youth Voter Mobilization Part 7 II. The Performance Chapter 8 3. Rock the Vote: An Insider's Account of the 2004 Campaign Strategy Chapter 9 4. "Comic Elections and Real News?" The Daily Show, Satire, Public Discourse, and the New Voter Chapter 10 5. Lessons in Appealing to the Young Non-Voter: Michael Moore's Slackers Uprising Tour Chapter 11 6. Screening Abu Ghraib, Reelecting the President: The Symbolic Politics of Torture in Fiction Film and Television, 2003-2005 Chapter 12 7. Cast a Vote: Yo: Targeting the Hip-Hop Generation through Popular Culture Part 13 III. Evaluating the Show Chapter 14 8. Soft News and Young Voters: Why They Tune into It and What They Get Out of It Chapter 15 9. Thin Democracy/Thick Citizenry: Interactive Media and its Lessons for Young Citizens/Consumers Chapter 16 10. Just Don't to Vote or Die, Bitch! A Giant Douche, a Turd Sandwich, Hardcore Puppet Sex, and the Reinvention of Political (Un)Involvement Chapter 17 Index Chapter 18 About the Contributors
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