Film, like the printed imagery inaugurated during the Renaissance, spread ideas - not least the idea of the power of visual art - across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of film, from the 1920s to the mid-1960s.
Film, like the printed imagery inaugurated during the Renaissance, spread ideas - not least the idea of the power of visual art - across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of film, from the 1920s to the mid-1960s.
Patricia Emison is Professor at the University of New Hampshire. A contributor to various exhibitions of early modern engravings, etchings, and woodcuts, she is also the author of The Italian Renaissance and Cultural Memory (2012), The Shaping of Art History: Meditations on a Discipline (2008), and Creating the 'Divine' Artist from Dante to Michelangelo (2004), as well as a chapter on 'Ideas: Philosophy, Religion, History', in A Cultural History of Memory, vol. 3, M. Tamm and A. Arcangeli, eds. (2020).
Inhaltsangabe
Foreword Prologue 1. The New and the Old in the Art of Cinema 2. The Machine Aesthetic 3. Competing with Text 4. After Eve Epilogue Bibliography List of Films Index
Foreword Prologue 1. The New and the Old in the Art of Cinema 2. The Machine Aesthetic 3. Competing with Text 4. After Eve Epilogue Bibliography List of Films Index
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