As its title suggests, this book examines the concept of multimodal writing, which incorporates the phenomena of transmediality, intermediality and rewriting, through an analysis of case studies. In the form of an anthology, made up of chapters on various themes (photography, insects, childhood, drama, theater) and reflections, it proposes an approach to the complexities of multimodal writing. In other words, the aim is to highlight its practices and issues, while problematizing its generic, aesthetic and stylistic aspects.
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