Museum Configurations demonstrates how museum space functions cognitively and communicatively and questions whether it can be designed to provide a rich embodied experience, situating displays and their public in felicitous dialogue.
Museum Configurations demonstrates how museum space functions cognitively and communicatively and questions whether it can be designed to provide a rich embodied experience, situating displays and their public in felicitous dialogue.
John Peponis is Professor of Architecture at the Georgia Institute of Technology, USA.
Inhaltsangabe
1. Museums as spatial configurations 2. The dialectic of the enlightenment museum: Edifice, edification, and dissolution 3. Movement, visibility, and the states of museum experience 4. Intelligibility and the structures of freedom 5. A stimulating museum space: 'Glancing away' and engaging working memory in-between exhibits 6. Narrative, dramaturgy and spatial choreography: movement and subjectivity in museum configurations 7. Spacing collections. Space syntax and a museum yet to come 8. Navigating museum space: Mapping, syntax, and metaphor 9. Designing the syntax of museum space in the studio 10. Postscript: What more can museum architecture do?.
1. Museums as spatial configurations 2. The dialectic of the enlightenment museum: Edifice, edification, and dissolution 3. Movement, visibility, and the states of museum experience 4. Intelligibility and the structures of freedom 5. A stimulating museum space: 'Glancing away' and engaging working memory in-between exhibits 6. Narrative, dramaturgy and spatial choreography: movement and subjectivity in museum configurations 7. Spacing collections. Space syntax and a museum yet to come 8. Navigating museum space: Mapping, syntax, and metaphor 9. Designing the syntax of museum space in the studio 10. Postscript: What more can museum architecture do?.
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