Museums and the Ancient Middle East
Curatorial Practice and Audiences
Herausgeber: Emberling, Geoff; Petit, Lucas P
Museums and the Ancient Middle East
Curatorial Practice and Audiences
Herausgeber: Emberling, Geoff; Petit, Lucas P
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Museums and the Ancient Middle East comprises a remarkable group of case studies from many of the world's leading museums, including the British Museum, the Louvre, the Metropolitan Museum, and the Vorderasiatisches Museum in Berlin.
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Museums and the Ancient Middle East comprises a remarkable group of case studies from many of the world's leading museums, including the British Museum, the Louvre, the Metropolitan Museum, and the Vorderasiatisches Museum in Berlin.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 278
- Erscheinungstermin: 2. Oktober 2018
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 567g
- ISBN-13: 9780815349723
- ISBN-10: 0815349726
- Artikelnr.: 54339415
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Taylor & Francis
- Seitenzahl: 278
- Erscheinungstermin: 2. Oktober 2018
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 567g
- ISBN-13: 9780815349723
- ISBN-10: 0815349726
- Artikelnr.: 54339415
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Geoff Emberling is Associate Research Scientist at the Kelsey Museum of Archaeology, University of Michigan. He has done curatorial work for most of his career, first as Assistant Curator in the Department of Ancient Near Eastern Art at The Metropolitan Museum of Art, then as Museum Director and Chief Curator at the Oriental Institute, University of Chicago. He has also developed exhibits as consulting curator at the Institute for the Study of the Ancient World, New York University, and most recently at the Detroit Institute of Arts. He is also a field archaeologist who has directed projects in Syria and Sudan. Lucas P. Petit is curator of the Near Eastern Department at the Dutch National Museum of Antiquities. He curated several successful blockbuster exhibitions including "Petra. Wonder in the Desert" (2013-14) and "Nineveh. Heart of an Ancient Empire" (2017-18), and was responsible for renewing the permanent Middle Eastern galleries. He has had positions at the Johann Wolfgang Goethe-Universität, Frankfurt am Main, and at Leiden University. He has been involved in various archaeological fieldwork projects throughout Europe, Africa, and the Middle East. Currently, he co-directs the excavations at Tell Damiyah in Jordan.
Part One: Introductory
Chapter 1 Curating the Ancient Middle East
Geoff Emberling and Lucas Petit
Chapter 2 Museum Displays and the Creation of the Ancient Middle East: A
View from the Ashmolean and the British Museum
Paul Collins
Chapter 3 Ancient "Art" in the White Cube? Or How Contemporary Art Creates
Ancient "Art"
Pedro Azara and Marc Marín
Part Two: Perspectives from National Museums
Chapter 4 170 Years of Curatorial Practices and Audiences at the Louvre:
Exhibiting Ancient Middle Eastern Antiquities from 1847 to 2017
Ariane Thomas
Chapter 5 Gallery 55 at the British Museum: Mesopotamia 1500-539 BC
Irving Finkel and Alexandra Fletcher
Chapter 6 Unlocking Architectures-Communicating Cultures: Ancient Middle
Eastern Worlds in the Vorderasiatisches Museum
Lutz Martin
Chapter 7 And Now for Something Completely Different: The Renewal of the
Ancient Middle Eastern Gallery in the Dutch National Museum of Antiquities
Lucas P. Petit
Chapter 8 The Jordan Museum: Storyteller of Land and People
Yosha Alamri and Jihad Kafafi
Part Three: Perspectives from Art Museums
Chapter 9 Exhibiting Interaction: Displaying the Arts of the Ancient Middle
East in their Broader Context
Joan Aruz and Yelena Rakic
Chapter 10 Negotiations in Museum Practice: A Reinstalled Gallery of
Ancient Middle Eastern Art at the Detroit Institute of Arts
Swarupa Anila and Geoff Emberling
Chapter 11 An Archaeological Exhibition without Archaeology? Joan Miró
Looks at Mesopotamian Masterpieces
Pedro Azara and Marc Marín
Part Four: Perspectives from University Museums
Chapter 12 Between visuality and context: Presenting Archaeological
Narratives at the Oriental Institute
John D.M. Green
Chapter 13 The Middle East Gallery at the Penn Museum: A Curator's
Reflections on Challenges and Opportunities
Holly Pittman
Chapter 14 The Archaeological Museum of the American University of Beirut
and Its Educational Role: A Case Study
Leila Badre
Chapter 15 Beyond Display: Curriculum and Community Engagement with Ancient
Middle Eastern Collections in a University Museum
Andrew Jamieson and Annelies Van de Ven
Commentary
Chapter 16 Exhibiting Ancient Middle Eastern Art in America
Peter Lacovara
Chapter 1 Curating the Ancient Middle East
Geoff Emberling and Lucas Petit
Chapter 2 Museum Displays and the Creation of the Ancient Middle East: A
View from the Ashmolean and the British Museum
Paul Collins
Chapter 3 Ancient "Art" in the White Cube? Or How Contemporary Art Creates
Ancient "Art"
Pedro Azara and Marc Marín
Part Two: Perspectives from National Museums
Chapter 4 170 Years of Curatorial Practices and Audiences at the Louvre:
Exhibiting Ancient Middle Eastern Antiquities from 1847 to 2017
Ariane Thomas
Chapter 5 Gallery 55 at the British Museum: Mesopotamia 1500-539 BC
Irving Finkel and Alexandra Fletcher
Chapter 6 Unlocking Architectures-Communicating Cultures: Ancient Middle
Eastern Worlds in the Vorderasiatisches Museum
Lutz Martin
Chapter 7 And Now for Something Completely Different: The Renewal of the
Ancient Middle Eastern Gallery in the Dutch National Museum of Antiquities
Lucas P. Petit
Chapter 8 The Jordan Museum: Storyteller of Land and People
Yosha Alamri and Jihad Kafafi
Part Three: Perspectives from Art Museums
Chapter 9 Exhibiting Interaction: Displaying the Arts of the Ancient Middle
East in their Broader Context
Joan Aruz and Yelena Rakic
Chapter 10 Negotiations in Museum Practice: A Reinstalled Gallery of
Ancient Middle Eastern Art at the Detroit Institute of Arts
Swarupa Anila and Geoff Emberling
Chapter 11 An Archaeological Exhibition without Archaeology? Joan Miró
Looks at Mesopotamian Masterpieces
Pedro Azara and Marc Marín
Part Four: Perspectives from University Museums
Chapter 12 Between visuality and context: Presenting Archaeological
Narratives at the Oriental Institute
John D.M. Green
Chapter 13 The Middle East Gallery at the Penn Museum: A Curator's
Reflections on Challenges and Opportunities
Holly Pittman
Chapter 14 The Archaeological Museum of the American University of Beirut
and Its Educational Role: A Case Study
Leila Badre
Chapter 15 Beyond Display: Curriculum and Community Engagement with Ancient
Middle Eastern Collections in a University Museum
Andrew Jamieson and Annelies Van de Ven
Commentary
Chapter 16 Exhibiting Ancient Middle Eastern Art in America
Peter Lacovara
Part One: Introductory
Chapter 1 Curating the Ancient Middle East
Geoff Emberling and Lucas Petit
Chapter 2 Museum Displays and the Creation of the Ancient Middle East: A
View from the Ashmolean and the British Museum
Paul Collins
Chapter 3 Ancient "Art" in the White Cube? Or How Contemporary Art Creates
Ancient "Art"
Pedro Azara and Marc Marín
Part Two: Perspectives from National Museums
Chapter 4 170 Years of Curatorial Practices and Audiences at the Louvre:
Exhibiting Ancient Middle Eastern Antiquities from 1847 to 2017
Ariane Thomas
Chapter 5 Gallery 55 at the British Museum: Mesopotamia 1500-539 BC
Irving Finkel and Alexandra Fletcher
Chapter 6 Unlocking Architectures-Communicating Cultures: Ancient Middle
Eastern Worlds in the Vorderasiatisches Museum
Lutz Martin
Chapter 7 And Now for Something Completely Different: The Renewal of the
Ancient Middle Eastern Gallery in the Dutch National Museum of Antiquities
Lucas P. Petit
Chapter 8 The Jordan Museum: Storyteller of Land and People
Yosha Alamri and Jihad Kafafi
Part Three: Perspectives from Art Museums
Chapter 9 Exhibiting Interaction: Displaying the Arts of the Ancient Middle
East in their Broader Context
Joan Aruz and Yelena Rakic
Chapter 10 Negotiations in Museum Practice: A Reinstalled Gallery of
Ancient Middle Eastern Art at the Detroit Institute of Arts
Swarupa Anila and Geoff Emberling
Chapter 11 An Archaeological Exhibition without Archaeology? Joan Miró
Looks at Mesopotamian Masterpieces
Pedro Azara and Marc Marín
Part Four: Perspectives from University Museums
Chapter 12 Between visuality and context: Presenting Archaeological
Narratives at the Oriental Institute
John D.M. Green
Chapter 13 The Middle East Gallery at the Penn Museum: A Curator's
Reflections on Challenges and Opportunities
Holly Pittman
Chapter 14 The Archaeological Museum of the American University of Beirut
and Its Educational Role: A Case Study
Leila Badre
Chapter 15 Beyond Display: Curriculum and Community Engagement with Ancient
Middle Eastern Collections in a University Museum
Andrew Jamieson and Annelies Van de Ven
Commentary
Chapter 16 Exhibiting Ancient Middle Eastern Art in America
Peter Lacovara
Chapter 1 Curating the Ancient Middle East
Geoff Emberling and Lucas Petit
Chapter 2 Museum Displays and the Creation of the Ancient Middle East: A
View from the Ashmolean and the British Museum
Paul Collins
Chapter 3 Ancient "Art" in the White Cube? Or How Contemporary Art Creates
Ancient "Art"
Pedro Azara and Marc Marín
Part Two: Perspectives from National Museums
Chapter 4 170 Years of Curatorial Practices and Audiences at the Louvre:
Exhibiting Ancient Middle Eastern Antiquities from 1847 to 2017
Ariane Thomas
Chapter 5 Gallery 55 at the British Museum: Mesopotamia 1500-539 BC
Irving Finkel and Alexandra Fletcher
Chapter 6 Unlocking Architectures-Communicating Cultures: Ancient Middle
Eastern Worlds in the Vorderasiatisches Museum
Lutz Martin
Chapter 7 And Now for Something Completely Different: The Renewal of the
Ancient Middle Eastern Gallery in the Dutch National Museum of Antiquities
Lucas P. Petit
Chapter 8 The Jordan Museum: Storyteller of Land and People
Yosha Alamri and Jihad Kafafi
Part Three: Perspectives from Art Museums
Chapter 9 Exhibiting Interaction: Displaying the Arts of the Ancient Middle
East in their Broader Context
Joan Aruz and Yelena Rakic
Chapter 10 Negotiations in Museum Practice: A Reinstalled Gallery of
Ancient Middle Eastern Art at the Detroit Institute of Arts
Swarupa Anila and Geoff Emberling
Chapter 11 An Archaeological Exhibition without Archaeology? Joan Miró
Looks at Mesopotamian Masterpieces
Pedro Azara and Marc Marín
Part Four: Perspectives from University Museums
Chapter 12 Between visuality and context: Presenting Archaeological
Narratives at the Oriental Institute
John D.M. Green
Chapter 13 The Middle East Gallery at the Penn Museum: A Curator's
Reflections on Challenges and Opportunities
Holly Pittman
Chapter 14 The Archaeological Museum of the American University of Beirut
and Its Educational Role: A Case Study
Leila Badre
Chapter 15 Beyond Display: Curriculum and Community Engagement with Ancient
Middle Eastern Collections in a University Museum
Andrew Jamieson and Annelies Van de Ven
Commentary
Chapter 16 Exhibiting Ancient Middle Eastern Art in America
Peter Lacovara