Edward Campbell

Music After Deleuze

• Gebundenes Buch

Produktbeschreibung

Music After Deleuze explores how Deleuzian concepts offer interesting ways of thinking about a wide range of musics. The concepts of difference, identity and repetition offer novel approaches to Western art music from Beethoven to Boulez and Bernhard Lang as well as jazz improvisation, popular and sacred music. The concepts of the 'rhizome', the 'assemblage' and the 'refrain' enable us to think of the specificity of musical works as the meeting of productive forces, for example in the contemporary opera of Dusapin and the experimental music theatre of Aperghis. The concepts of smooth and striated space form the starting point for musical and political reflections on pitch in Western and Eastern music. Deleuze's notion of time as multiple illumines the distinctive conceptions of musical time found in Debussy, Messiaen, Boulez, Carter and Grisey. Finally, the innovative semiotic theory forged in Deleuze-Guattarian philosophy offers valuable insights for a semiotics capable of engaging with the innovative, molecular music of Lachenmann, Aperghis and Levinas.

Produktdetails

• Verlag: Bloomsbury 3PL
• Seitenzahl: 204
• Erscheinungstermin: 7. November 2013
• Englisch
• Abmessung: 222mm x 145mm x 15mm
• Gewicht: 394g
• ISBN-13: 9781441101815
• ISBN-10: 1441101810
• Artikelnr.: 39044417

Autorenporträt

Edward Campbell is Lecturer in Music at the University of Aberdeen, UK.

Inhaltsangabe

Acknowledgements
Introduction
1. Music, Difference and Repetition
2. Producing New Music: Rhizomes, Assemblages and Refrains
3. Rethinking Musical Pitch: The Smooth and the Striated
4. Thinking Musical Time
5. A Deleuzian Semiotics of Music
Conclusion
Notes
Bibliography
Index

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Acknowledgements
Introduction
1. Music, Difference and Repetition
2. Producing New Music: Rhizomes, Assemblages and Refrains
3. Rethinking Musical Pitch: The Smooth and the Striated
4. Thinking Musical Time
5. A Deleuzian Semiotics of Music
Conclusion
Notes
Bibliography
Index

Rezensionen

Edward Campbell shows how philosopher Gilles Deleuze, when contemplating music, can steer musicians productively away from their verbal comfort zones. Centring on the contact between Deleuze and Pierre Boulez, Dr Campbell explores and explains some particularly challenging ways of thinking about philosophical and musical modernity. Music after Deleuze proves to be both fascinating and open-ended, and it confirms that the on-going engagement between philosophy and music (non-Western or popular as much as Western and classical) continues to provoke and to intrigue. Arnold Whittall, Professor Emeritus of Music Theory & Analysis, King's College London, UK 20130412