In Music and Citizenship, author Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity.
In Music and Citizenship, author Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Martin Stokes is an ethnomusicologist specializing in the music of Europe and the Middle East, with an emphasis on Turkey and Egypt. He has taught at The Queen's University of Belfast, The University of Chicago, Oxford University, and King's College London. His books include The Arabesk Debate: Music and Musicians in Modern Turkey, Ethnicity, Identity and Music: The Musical Construction of Place, and The Republic of Love: Cultural Intimacy in Turkish Popular Music. He is a Fellow of the British Academy.
Inhaltsangabe
Acknowledgments Chapter 1. Introduction: How Musical is the Citizen? 1.1 Sly Civilities 1.2 Citizen Audience 1.3 Citizen Media 1.4 Citizen Voice 1.5 Citizen Performance 1.6 Conclusion Chapter 2. Ethnomusicology of Citizenship, Ethnomusicology as Citizenship 2.1 Identity 2.2 Technocracy 2.3 Intimacy 2.4 Conclusion Chapter 3. Citizenship Resounding 3.1 The Citizen on his Bike 3.2 The Citizen in the Crowd 3.3 The Citizen in the Square 3.4 Conclusion Chapter 4. Conclusion Bibliography Index
Acknowledgments Chapter 1. Introduction: How Musical is the Citizen? 1.1 Sly Civilities 1.2 Citizen Audience 1.3 Citizen Media 1.4 Citizen Voice 1.5 Citizen Performance 1.6 Conclusion Chapter 2. Ethnomusicology of Citizenship, Ethnomusicology as Citizenship 2.1 Identity 2.2 Technocracy 2.3 Intimacy 2.4 Conclusion Chapter 3. Citizenship Resounding 3.1 The Citizen on his Bike 3.2 The Citizen in the Crowd 3.3 The Citizen in the Square 3.4 Conclusion Chapter 4. Conclusion Bibliography Index
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