Music and Dance as Everyday South Asia
Herausgeber: Sherinian, Zoe C; Morelli, Sarah L
Music and Dance as Everyday South Asia
Herausgeber: Sherinian, Zoe C; Morelli, Sarah L
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This book offers an inclusive lens through which to study the music and dance of South Asia, its diasporas, and the people who produce and use these cultural expressions. Each chapter's central argument ties into a participatory exercise that provides active ways to understand and engage with cultural meaning.
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This book offers an inclusive lens through which to study the music and dance of South Asia, its diasporas, and the people who produce and use these cultural expressions. Each chapter's central argument ties into a participatory exercise that provides active ways to understand and engage with cultural meaning.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 544
- Erscheinungstermin: 10. Dezember 2024
- Englisch
- Abmessung: 236mm x 155mm x 31mm
- Gewicht: 762g
- ISBN-13: 9780197791974
- ISBN-10: 0197791972
- Artikelnr.: 72061331
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Oxford University Press
- Seitenzahl: 544
- Erscheinungstermin: 10. Dezember 2024
- Englisch
- Abmessung: 236mm x 155mm x 31mm
- Gewicht: 762g
- ISBN-13: 9780197791974
- ISBN-10: 0197791972
- Artikelnr.: 72061331
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Zoe C. Sherinian is Professor of Ethnomusicology at the University of Oklahoma. She has published the monograph Tamil Folk Music as Dalit Liberation Theology (Indiana University Press, 2014) and coedited Making Congregational Music Local: Indigenous Songs and Cosmopolitan Styles in the Music of Global Christianity (Routledge, 2017). Sarah Morelli is Professor of Ethnomusicology at the University of Denver and author of A Guru's Journey: Pandit Chitresh Das and Indian Classical Dance in Diaspora (University of Illinois Press, 2019). Also a performing kathak dancer, she is a Founding Artist and Soloist with the Leela Dance Collective and Artistic Director of Leela Denver.
* Introduction: Comprehensive Approaches to South Asian Sound and
Movement
* Sarah L. Morelli and Zoe C. Sherinian
* Section One: Identity in Place and Community
* Introduction by Peter Kvetko and Sarah L. Morelli
* 1. A Sense of the City: Embodied Practice and Popular Music in Mumbai
* Peter Kvetko
* 2. A Melody of Lucknow: Hearing History in North Indian Music
* Max Katz
* 3. Sufi Devotional Performances in Multan, Pakistan, a "City of
Saints"
* Karim Gillani
* 4. Hale da Divan: Trance, Historical Consciousness, and the Ecstasy
of Separation in Namdhari Sikh Services
* Janice Protopapas
* 5. "Small Voices Sing Big Songs": Music as Development in the Thar
Desert
* Shalini R. Ayyagari
* Section Two: Performance Dynamics: Style, Genre, Coding, and Function
* Introduction by Zoe C. Sherinian
* 6. Changing Musical Style and Social Identity in Tamil Christian
Kirttanai
* Zoe C. Sherinian
* 7. Professional Weeping: Music, Affect, and Hierarchy in a South
Indian Folk Performance Art
* Paul D. Greene
* 8. Sindhi Kafi and Vernacular Islam in Western India
* Brian E. Bond
* 9. Music, Religious Experience, and Nationalism in Marathi Rashtriya
Kirtan
* Anna Schultz
* 10. Prestige, Status, and the History of Instrumental Music in North
India
* George E. Ruckert
* Section Three: Intersectional Dynamics: Caste, Class, and Tribe
* Introduction by Zoe C. Sherinian
* 11. Mundari Performance After the Revolution: Did Dance Save the
Tribe?
* Carol M. Babiracki
* 12. Systematic and Embodied Music Theory of Tamil Parai Drummers
* Zoe C. Sherinian
* 13. Caste, Class, Aesthetics, and the Making of Modern Bharatanatyam
Dance
* Hari Krishnan and Davesh Soneji with a contribution by Nrithya Pillai
* 14. Sacred Song, Food, and the Affective Embodied Experience of
Non-Othering in the Sikh Tradition
* Inderjit N. Kaur
* 15. Following in the Footsteps of Muria Music and Dance
* Roderic Knight
* Section Four: Identity in Gender and Sexuality
* Introduction by Zoe C. Sherinian
* 16. Bhangra Brotherhood: Gender, Music, and Nationalism in Rang De
Basanti
* Pavitra Sundar
* 17. Disrupted Divas: Conflicting Pathways of India's Socially
Marginalized Female Entertainers
* Amelia Maciszewski
* 18. "All the Parts of Who I Am": Multi-Gendered Performance in Kathak
Dance
* Sarah L. Morelli
* 19. Music and the Trans-thirunangai Everyday at Koovagam, Tamil Nadu
* Jeff Roy
* 20. Performing Youthful Desires: Bihu Festival Music and Dance in
Assam, India
* Rehanna Kheshgi
* Section Five: Technology, Media, and Transmission
* Introduction by Sarah L. Morelli
* 21. "We Know What Our Folk Culture Is from Cassettes and Videos":
Rethinking the Popular-Folk Dynamic in the Indian Himalayas
* Stefan Fiol
* 22. The Female Voice in Hindi Cinema: Agency, Representation, and
Change
* Natalie Sarrazin
* 23. Love Politics, and Life Between Village and City in Nepali Lok
Dohori: One Album, Three Titles
* Anna Marie Stirr
* 24. Pedagogy and Embodiment in the Transmission of Kerala Temple
Drumming
* Rolf Groesbeck
* 25. Sonic Gift-Giving in Sri Lankan Buddhism
* Jim Sykes
* Section Six: Diaspora and Globalization
* Introduction by Nilanjana Bhattacharjya and Sarah L. Morelli
* 26. Contemporizing Kandyan Dance
* Susan A. Reed
* 27. Desi Dance Music: A Transnational Phenomenon
* Nilanjana Bhattacharjya and Rekha Malhotra
* 28. Dance in The Round: Embodying Inclusivity and Interdependence
through Garba
* Parijat Desai
* 29. Tamil Rap and Social Status in Malaysia
* Aaron Paige
* 30. Beyond the Silver Screen: Filmi Aesthetics in Bollywood Fitness
Classes
* Ameera Nimjee
* Index
Movement
* Sarah L. Morelli and Zoe C. Sherinian
* Section One: Identity in Place and Community
* Introduction by Peter Kvetko and Sarah L. Morelli
* 1. A Sense of the City: Embodied Practice and Popular Music in Mumbai
* Peter Kvetko
* 2. A Melody of Lucknow: Hearing History in North Indian Music
* Max Katz
* 3. Sufi Devotional Performances in Multan, Pakistan, a "City of
Saints"
* Karim Gillani
* 4. Hale da Divan: Trance, Historical Consciousness, and the Ecstasy
of Separation in Namdhari Sikh Services
* Janice Protopapas
* 5. "Small Voices Sing Big Songs": Music as Development in the Thar
Desert
* Shalini R. Ayyagari
* Section Two: Performance Dynamics: Style, Genre, Coding, and Function
* Introduction by Zoe C. Sherinian
* 6. Changing Musical Style and Social Identity in Tamil Christian
Kirttanai
* Zoe C. Sherinian
* 7. Professional Weeping: Music, Affect, and Hierarchy in a South
Indian Folk Performance Art
* Paul D. Greene
* 8. Sindhi Kafi and Vernacular Islam in Western India
* Brian E. Bond
* 9. Music, Religious Experience, and Nationalism in Marathi Rashtriya
Kirtan
* Anna Schultz
* 10. Prestige, Status, and the History of Instrumental Music in North
India
* George E. Ruckert
* Section Three: Intersectional Dynamics: Caste, Class, and Tribe
* Introduction by Zoe C. Sherinian
* 11. Mundari Performance After the Revolution: Did Dance Save the
Tribe?
* Carol M. Babiracki
* 12. Systematic and Embodied Music Theory of Tamil Parai Drummers
* Zoe C. Sherinian
* 13. Caste, Class, Aesthetics, and the Making of Modern Bharatanatyam
Dance
* Hari Krishnan and Davesh Soneji with a contribution by Nrithya Pillai
* 14. Sacred Song, Food, and the Affective Embodied Experience of
Non-Othering in the Sikh Tradition
* Inderjit N. Kaur
* 15. Following in the Footsteps of Muria Music and Dance
* Roderic Knight
* Section Four: Identity in Gender and Sexuality
* Introduction by Zoe C. Sherinian
* 16. Bhangra Brotherhood: Gender, Music, and Nationalism in Rang De
Basanti
* Pavitra Sundar
* 17. Disrupted Divas: Conflicting Pathways of India's Socially
Marginalized Female Entertainers
* Amelia Maciszewski
* 18. "All the Parts of Who I Am": Multi-Gendered Performance in Kathak
Dance
* Sarah L. Morelli
* 19. Music and the Trans-thirunangai Everyday at Koovagam, Tamil Nadu
* Jeff Roy
* 20. Performing Youthful Desires: Bihu Festival Music and Dance in
Assam, India
* Rehanna Kheshgi
* Section Five: Technology, Media, and Transmission
* Introduction by Sarah L. Morelli
* 21. "We Know What Our Folk Culture Is from Cassettes and Videos":
Rethinking the Popular-Folk Dynamic in the Indian Himalayas
* Stefan Fiol
* 22. The Female Voice in Hindi Cinema: Agency, Representation, and
Change
* Natalie Sarrazin
* 23. Love Politics, and Life Between Village and City in Nepali Lok
Dohori: One Album, Three Titles
* Anna Marie Stirr
* 24. Pedagogy and Embodiment in the Transmission of Kerala Temple
Drumming
* Rolf Groesbeck
* 25. Sonic Gift-Giving in Sri Lankan Buddhism
* Jim Sykes
* Section Six: Diaspora and Globalization
* Introduction by Nilanjana Bhattacharjya and Sarah L. Morelli
* 26. Contemporizing Kandyan Dance
* Susan A. Reed
* 27. Desi Dance Music: A Transnational Phenomenon
* Nilanjana Bhattacharjya and Rekha Malhotra
* 28. Dance in The Round: Embodying Inclusivity and Interdependence
through Garba
* Parijat Desai
* 29. Tamil Rap and Social Status in Malaysia
* Aaron Paige
* 30. Beyond the Silver Screen: Filmi Aesthetics in Bollywood Fitness
Classes
* Ameera Nimjee
* Index
* Introduction: Comprehensive Approaches to South Asian Sound and
Movement
* Sarah L. Morelli and Zoe C. Sherinian
* Section One: Identity in Place and Community
* Introduction by Peter Kvetko and Sarah L. Morelli
* 1. A Sense of the City: Embodied Practice and Popular Music in Mumbai
* Peter Kvetko
* 2. A Melody of Lucknow: Hearing History in North Indian Music
* Max Katz
* 3. Sufi Devotional Performances in Multan, Pakistan, a "City of
Saints"
* Karim Gillani
* 4. Hale da Divan: Trance, Historical Consciousness, and the Ecstasy
of Separation in Namdhari Sikh Services
* Janice Protopapas
* 5. "Small Voices Sing Big Songs": Music as Development in the Thar
Desert
* Shalini R. Ayyagari
* Section Two: Performance Dynamics: Style, Genre, Coding, and Function
* Introduction by Zoe C. Sherinian
* 6. Changing Musical Style and Social Identity in Tamil Christian
Kirttanai
* Zoe C. Sherinian
* 7. Professional Weeping: Music, Affect, and Hierarchy in a South
Indian Folk Performance Art
* Paul D. Greene
* 8. Sindhi Kafi and Vernacular Islam in Western India
* Brian E. Bond
* 9. Music, Religious Experience, and Nationalism in Marathi Rashtriya
Kirtan
* Anna Schultz
* 10. Prestige, Status, and the History of Instrumental Music in North
India
* George E. Ruckert
* Section Three: Intersectional Dynamics: Caste, Class, and Tribe
* Introduction by Zoe C. Sherinian
* 11. Mundari Performance After the Revolution: Did Dance Save the
Tribe?
* Carol M. Babiracki
* 12. Systematic and Embodied Music Theory of Tamil Parai Drummers
* Zoe C. Sherinian
* 13. Caste, Class, Aesthetics, and the Making of Modern Bharatanatyam
Dance
* Hari Krishnan and Davesh Soneji with a contribution by Nrithya Pillai
* 14. Sacred Song, Food, and the Affective Embodied Experience of
Non-Othering in the Sikh Tradition
* Inderjit N. Kaur
* 15. Following in the Footsteps of Muria Music and Dance
* Roderic Knight
* Section Four: Identity in Gender and Sexuality
* Introduction by Zoe C. Sherinian
* 16. Bhangra Brotherhood: Gender, Music, and Nationalism in Rang De
Basanti
* Pavitra Sundar
* 17. Disrupted Divas: Conflicting Pathways of India's Socially
Marginalized Female Entertainers
* Amelia Maciszewski
* 18. "All the Parts of Who I Am": Multi-Gendered Performance in Kathak
Dance
* Sarah L. Morelli
* 19. Music and the Trans-thirunangai Everyday at Koovagam, Tamil Nadu
* Jeff Roy
* 20. Performing Youthful Desires: Bihu Festival Music and Dance in
Assam, India
* Rehanna Kheshgi
* Section Five: Technology, Media, and Transmission
* Introduction by Sarah L. Morelli
* 21. "We Know What Our Folk Culture Is from Cassettes and Videos":
Rethinking the Popular-Folk Dynamic in the Indian Himalayas
* Stefan Fiol
* 22. The Female Voice in Hindi Cinema: Agency, Representation, and
Change
* Natalie Sarrazin
* 23. Love Politics, and Life Between Village and City in Nepali Lok
Dohori: One Album, Three Titles
* Anna Marie Stirr
* 24. Pedagogy and Embodiment in the Transmission of Kerala Temple
Drumming
* Rolf Groesbeck
* 25. Sonic Gift-Giving in Sri Lankan Buddhism
* Jim Sykes
* Section Six: Diaspora and Globalization
* Introduction by Nilanjana Bhattacharjya and Sarah L. Morelli
* 26. Contemporizing Kandyan Dance
* Susan A. Reed
* 27. Desi Dance Music: A Transnational Phenomenon
* Nilanjana Bhattacharjya and Rekha Malhotra
* 28. Dance in The Round: Embodying Inclusivity and Interdependence
through Garba
* Parijat Desai
* 29. Tamil Rap and Social Status in Malaysia
* Aaron Paige
* 30. Beyond the Silver Screen: Filmi Aesthetics in Bollywood Fitness
Classes
* Ameera Nimjee
* Index
Movement
* Sarah L. Morelli and Zoe C. Sherinian
* Section One: Identity in Place and Community
* Introduction by Peter Kvetko and Sarah L. Morelli
* 1. A Sense of the City: Embodied Practice and Popular Music in Mumbai
* Peter Kvetko
* 2. A Melody of Lucknow: Hearing History in North Indian Music
* Max Katz
* 3. Sufi Devotional Performances in Multan, Pakistan, a "City of
Saints"
* Karim Gillani
* 4. Hale da Divan: Trance, Historical Consciousness, and the Ecstasy
of Separation in Namdhari Sikh Services
* Janice Protopapas
* 5. "Small Voices Sing Big Songs": Music as Development in the Thar
Desert
* Shalini R. Ayyagari
* Section Two: Performance Dynamics: Style, Genre, Coding, and Function
* Introduction by Zoe C. Sherinian
* 6. Changing Musical Style and Social Identity in Tamil Christian
Kirttanai
* Zoe C. Sherinian
* 7. Professional Weeping: Music, Affect, and Hierarchy in a South
Indian Folk Performance Art
* Paul D. Greene
* 8. Sindhi Kafi and Vernacular Islam in Western India
* Brian E. Bond
* 9. Music, Religious Experience, and Nationalism in Marathi Rashtriya
Kirtan
* Anna Schultz
* 10. Prestige, Status, and the History of Instrumental Music in North
India
* George E. Ruckert
* Section Three: Intersectional Dynamics: Caste, Class, and Tribe
* Introduction by Zoe C. Sherinian
* 11. Mundari Performance After the Revolution: Did Dance Save the
Tribe?
* Carol M. Babiracki
* 12. Systematic and Embodied Music Theory of Tamil Parai Drummers
* Zoe C. Sherinian
* 13. Caste, Class, Aesthetics, and the Making of Modern Bharatanatyam
Dance
* Hari Krishnan and Davesh Soneji with a contribution by Nrithya Pillai
* 14. Sacred Song, Food, and the Affective Embodied Experience of
Non-Othering in the Sikh Tradition
* Inderjit N. Kaur
* 15. Following in the Footsteps of Muria Music and Dance
* Roderic Knight
* Section Four: Identity in Gender and Sexuality
* Introduction by Zoe C. Sherinian
* 16. Bhangra Brotherhood: Gender, Music, and Nationalism in Rang De
Basanti
* Pavitra Sundar
* 17. Disrupted Divas: Conflicting Pathways of India's Socially
Marginalized Female Entertainers
* Amelia Maciszewski
* 18. "All the Parts of Who I Am": Multi-Gendered Performance in Kathak
Dance
* Sarah L. Morelli
* 19. Music and the Trans-thirunangai Everyday at Koovagam, Tamil Nadu
* Jeff Roy
* 20. Performing Youthful Desires: Bihu Festival Music and Dance in
Assam, India
* Rehanna Kheshgi
* Section Five: Technology, Media, and Transmission
* Introduction by Sarah L. Morelli
* 21. "We Know What Our Folk Culture Is from Cassettes and Videos":
Rethinking the Popular-Folk Dynamic in the Indian Himalayas
* Stefan Fiol
* 22. The Female Voice in Hindi Cinema: Agency, Representation, and
Change
* Natalie Sarrazin
* 23. Love Politics, and Life Between Village and City in Nepali Lok
Dohori: One Album, Three Titles
* Anna Marie Stirr
* 24. Pedagogy and Embodiment in the Transmission of Kerala Temple
Drumming
* Rolf Groesbeck
* 25. Sonic Gift-Giving in Sri Lankan Buddhism
* Jim Sykes
* Section Six: Diaspora and Globalization
* Introduction by Nilanjana Bhattacharjya and Sarah L. Morelli
* 26. Contemporizing Kandyan Dance
* Susan A. Reed
* 27. Desi Dance Music: A Transnational Phenomenon
* Nilanjana Bhattacharjya and Rekha Malhotra
* 28. Dance in The Round: Embodying Inclusivity and Interdependence
through Garba
* Parijat Desai
* 29. Tamil Rap and Social Status in Malaysia
* Aaron Paige
* 30. Beyond the Silver Screen: Filmi Aesthetics in Bollywood Fitness
Classes
* Ameera Nimjee
* Index