Well-known contributors analyze the ways in which Marxist thought enters into music discourse. Exploring everything from Marxism in hip-hop to feudal properties of Hindustani music to revolutionary music of Central America, the essays in this book find surprising, paradigm-shifting revelations. This book will revolutionize the way music production and consumption is viewed. First published in 2002.
Well-known contributors analyze the ways in which Marxist thought enters into music discourse. Exploring everything from Marxism in hip-hop to feudal properties of Hindustani music to revolutionary music of Central America, the essays in this book find surprising, paradigm-shifting revelations. This book will revolutionize the way music production and consumption is viewed. First published in 2002.
Part I Commodification and Music Scholarship; Chapter 1 MUSIC SCHOLARSHIP MUSICAL PRACTICE AND THE ACT OF LISTENING DAVID GRAMIT; Chapter 2 Commodity-Form Disavowal and Practices of Music Theory HENRY KLUMPENHOUWER; Part II Capitalism and Musical Poetics; Chapter 3 Modernity and Musical Structure Neo-Marxist Perspectives on Song Form and Its Successors PETER MANUEL; Chapter 4 The Hip-Hop Sublime as a Form of Commodification ADAM KRIMS; Part III Relations of Production; Chapter 5 Mode of Production and Musical Production: Is Hindustani Music Feudal? REGULA BURCKHARDT QURESHI; Chapter 6 The Capitalization of Musical Production: The Conceptual and Spatial Development of London?EUR?s Public Concerts 1660?EUR"1750 ANTHONY A. OLMSTED; Chapter 7 Marx Money and Musicians MARTIN STOKES; Part IV State and Revolutionary Marxism; Chapter 8 Musicological Memoirs on Marxism IZALY ZEMTSOVSKY; Chapter 9 Making Marxist-Leninist Music in Uzbekistan THEODORE LEVIN; Chapter 10 Central American Revolutionary Music FRED JUDSON;
Part I Commodification and Music Scholarship; Chapter 1 MUSIC SCHOLARSHIP MUSICAL PRACTICE AND THE ACT OF LISTENING DAVID GRAMIT; Chapter 2 Commodity-Form Disavowal and Practices of Music Theory HENRY KLUMPENHOUWER; Part II Capitalism and Musical Poetics; Chapter 3 Modernity and Musical Structure Neo-Marxist Perspectives on Song Form and Its Successors PETER MANUEL; Chapter 4 The Hip-Hop Sublime as a Form of Commodification ADAM KRIMS; Part III Relations of Production; Chapter 5 Mode of Production and Musical Production: Is Hindustani Music Feudal? REGULA BURCKHARDT QURESHI; Chapter 6 The Capitalization of Musical Production: The Conceptual and Spatial Development of London?EUR?s Public Concerts 1660?EUR"1750 ANTHONY A. OLMSTED; Chapter 7 Marx Money and Musicians MARTIN STOKES; Part IV State and Revolutionary Marxism; Chapter 8 Musicological Memoirs on Marxism IZALY ZEMTSOVSKY; Chapter 9 Making Marxist-Leninist Music in Uzbekistan THEODORE LEVIN; Chapter 10 Central American Revolutionary Music FRED JUDSON;
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
