This book analyses the role of music in processes of religious change in contemporary progressive Judaism. Based on ethnographic research conducted in London, it illustrates a growing trend among progressive Jews in the West today: the desire to combine liberal theology with forms of practice experienced as more traditional.
This book analyses the role of music in processes of religious change in contemporary progressive Judaism. Based on ethnographic research conducted in London, it illustrates a growing trend among progressive Jews in the West today: the desire to combine liberal theology with forms of practice experienced as more traditional.
Ruth Illman is docent (associate professor) of comparative religion at Åbo Akademi University, Finland, and history of religions at Uppsala University, Sweden. She is currently the director of the Donner Institute for Research in Religion and Culture in Turku, Finland.
Inhaltsangabe
Introduction 1. Theoretical Starting Points 2. Entering the Ethnographic Field 3. Dinah: Radical and Liberal in Theology, Traditional in Practice 4. Micah: Music as a Bridge between Diverse Jewish Experiences 5. Esther: Singing as a Form of Understanding 6. David: The Wish to Have a Broader Sort of Thing 7. Rachel: "It's Not the Words, It's the Melodies" Conclusion
Introduction 1. Theoretical Starting Points 2. Entering the Ethnographic Field 3. Dinah: Radical and Liberal in Theology, Traditional in Practice 4. Micah: Music as a Bridge between Diverse Jewish Experiences 5. Esther: Singing as a Form of Understanding 6. David: The Wish to Have a Broader Sort of Thing 7. Rachel: "It's Not the Words, It's the Melodies" Conclusion
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