Music and Theology is a Festschrift honoring Dr. Robin A. Leaver, reflecting his interests in the history of sacred music with particular emphasis on studies related to Johann Sebastian Bach (1685-1750).
Music and Theology is a Festschrift honoring Dr. Robin A. Leaver, reflecting his interests in the history of sacred music with particular emphasis on studies related to Johann Sebastian Bach (1685-1750).
Daniel Zager is head of the Sibley Music Library at the Eastman School of Music and also serves as associate professor in musicology and sacred music.
Inhaltsangabe
Part 1 Preface Part 2 1 "The Soul Is Symphonic": Meditation on Luke 15:25 and Hildegard of Bingen's Letter 23 Part 3 2 Early Lutheran Hymnals and Other Musical Sources in the Kessler Reformation Collection at Emory University Part 4 3 Tradition with Variations: Chorale Settings per omnes versus by Buxtehude and Bach Part 5 4 Bach's Preluding for a Leipzig Academic Ceremony Part 6 5 Bach's Setting of the Hymn Tune "Nun komm, der Heiden Heiland" in His Cantatas and Organ Works Part 7 6 Historically Informed Rendering of the Librettos from Bach's Church Cantatas Part 8 7 The Role of the "Actus Structure" in the Libretto of J. S. Bach's Matthew Passion Part 9 8 Two Unusual Cues in J. S. Bach's Performing Parts Part 10 9 Johann Sebastian Bach and the Praise of God: Some Thoughts on the Canon Triplex (BWV 1076) Part 11 10 Bach and Dresden: A New Hypothesis on the Origin of the Goldberg Variations (BWV 988) Part 12 11 A Is for Apple: The Search for an American Church Music; or the ABCs of American Church Music: A Is for Apple, B Is for Billings, and C Is for Chapman Part 13 12 Beauty and Terror: What Have We to Sing; What Has Worship to Pray? Part 14 13 Robin A. Leaver: A Bibliography of His Writings Part 15 Index Part 16 About the Contributors
Part 1 Preface Part 2 1 "The Soul Is Symphonic": Meditation on Luke 15:25 and Hildegard of Bingen's Letter 23 Part 3 2 Early Lutheran Hymnals and Other Musical Sources in the Kessler Reformation Collection at Emory University Part 4 3 Tradition with Variations: Chorale Settings per omnes versus by Buxtehude and Bach Part 5 4 Bach's Preluding for a Leipzig Academic Ceremony Part 6 5 Bach's Setting of the Hymn Tune "Nun komm, der Heiden Heiland" in His Cantatas and Organ Works Part 7 6 Historically Informed Rendering of the Librettos from Bach's Church Cantatas Part 8 7 The Role of the "Actus Structure" in the Libretto of J. S. Bach's Matthew Passion Part 9 8 Two Unusual Cues in J. S. Bach's Performing Parts Part 10 9 Johann Sebastian Bach and the Praise of God: Some Thoughts on the Canon Triplex (BWV 1076) Part 11 10 Bach and Dresden: A New Hypothesis on the Origin of the Goldberg Variations (BWV 988) Part 12 11 A Is for Apple: The Search for an American Church Music; or the ABCs of American Church Music: A Is for Apple, B Is for Billings, and C Is for Chapman Part 13 12 Beauty and Terror: What Have We to Sing; What Has Worship to Pray? Part 14 13 Robin A. Leaver: A Bibliography of His Writings Part 15 Index Part 16 About the Contributors
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