More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis and the narration of history, and the…mehr
More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis and the narration of history, and the responsibilities of the scholar to the listening public-originate in these conflicted and largely forgotten beginnings.
Kevin C. Karnes is Assistant Professor of Music History at Emory University. He is co-editor of the revised and expanded edition of Brahms and His World (2009) and author of articles on a variety of nineteenth-century topics published in 19th-Century Music, the Journal of the Royal Musical Association, and other periodicals.
Inhaltsangabe
Introduction Part I: Eduard Hanslick and the Challenge of Musikwissenschaft Chapter 1. Forgotten Histories and Uncertain Legacies Chapter 2. Music Criticism as Living History Part II: Heinrich Schenker and the Challenge of Criticism Chapter 3. Music Analysis as Critical Method Chapter 4. Composer, Critic, and the Problem of Creativity Part III: Guido Adler and the Problem of Science Chapter 5. A Science of Music for an Ambivalent Age Chapter 6. German Music in an Age of Positivism Epilogue. Into the Twentieth Century Notes Bibliography Index
Introduction Part I: Eduard Hanslick and the Challenge of Musikwissenschaft Chapter 1. Forgotten Histories and Uncertain Legacies Chapter 2. Music Criticism as Living History Part II: Heinrich Schenker and the Challenge of Criticism Chapter 3. Music Analysis as Critical Method Chapter 4. Composer, Critic, and the Problem of Creativity Part III: Guido Adler and the Problem of Science Chapter 5. A Science of Music for an Ambivalent Age Chapter 6. German Music in an Age of Positivism Epilogue. Into the Twentieth Century Notes Bibliography Index
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