Music in Nineteenth-Century Britain

Herausgeber: Golding, Rosemary

• Gebundenes Buch

Produktbeschreibung

This volume of primary source material examine the thoughts and ideas behind music in Britian during the ninteenth century. Sources explore music critics, listening to music, music education, and philosophy. This collection will be of great value to students and scholars.

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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 518
• Erscheinungstermin: 15. August 2022
• Englisch
• Abmessung: 234mm x 156mm x 29mm
• Gewicht: 912g
• ISBN-13: 9780367435325
• ISBN-10: 0367435322
• Artikelnr.: 69936873

Autorenporträt

Dr Rosemary Golding, Open University, UK

Inhaltsangabe

Volume 3: Thinking about Music Introduction - Volume 3 Part 1. Music Criticism 1. Richard Mackenzie Bacon
'Plan of the Work' and 'First Lines of Vocal Criticism' in The Quarterly Musical Magazine and Review vol. 1 no. 1 (January 1818)
pp. 1-10 and 72-75 2. Anon.
'Amateur Criticism' in The Quarterly Musical Magazine and Review vol. 6 no. 22 (April 1824)
Letter to the Editor from Adelos
pp. 171-177 3. Charles Kensington Salaman
'On Musical Criticism' in Proceedings of the Musical Association 2nd session (1875-6)
pp. 1-15 4. Edmund Gurney
'Musical Criticism'
The Power of Sound (London: Smith
Elder & Co.
1880)
pp. 524-539 5. John Stainer
'The principles of musical criticism' in Proceedings of the Royal Musical Association 7th session (1880-1)
pp. 35-52 6. Frederick Crowest
Phases of Musical England (London: Remington
1881)
Chapter 1 'Musical Criticism' pp. 1-30 7. Charles V. Stanford 'Some aspects of musical criticism in England' in Fortnightly Review vol. 55 no. 330 (June 1894)
pp. 826-31 8. John F. Runciman
'Musical Criticism and the Critics' in The Fortnightly Review vol. 56 no. 332 (August 1894)
pp. 170-183
and 'The gentle art of musical criticism' in The New Review vol. 12 (1895)
pp. 612-624 9. Ernest Newman
Gluck and the Opera: a Study in Musical History (London: Bertram Dobell
1895)
'Introduction' pp. 1-15 10. Edward A Baughan
'The Futility of Criticism' in Monthly Musical Record vol. 27 no. 323 (November 1897)
pp. 241-243 11. Hermann Klein
Thirty Years of Musical Life in London
1870-1900 (New York: Century
1903)
pp. 42-58 12. Henry Davison
Music during the Victorian Era. From Mendelssohn to Wagner: Memoirs of J.W. Davison (London: Reeves
1912)
pp. 68-76 Part 2. Listening to Music 13. William Henry
'Cursory Remarks on Music
Especially on the Sources of the Pleasure which it Communicates' in Edinburgh Monthly Magazine vol. 1 no. 4 (July-August 1817)
pp. 343-347 and 459-462 14. William Crotch
'On the Present State of the Public Taste of this Nation'
in Substance of Several Courses of Lectures on Music (London
Longman
Rees
Orme
Brown
and Green
1831)
pp. 148-158 15. William Gardiner
'On the Faculties of the Ear'
The Music of Nature (London: Longman
Rees
Orme
Brown
Green
and Longman
1832)
pp. 2-11 16. Charles H. Purday
'Letter to the Editor' in The Musical World vol. 3 no. 38
(2 December 1836)
p. 191 17. Vernon
'The Influence of Music on the Public' in The Musical Times and Singing Class Circular vol. 5 no. 100 (1 September 1852)
pp. 59- 60 18. J.B. Macdonnell
'Classical Music and British Musical Taste' in Macmillan's Magazine vol. 1 no. 5 (March 1860)
pp. 383-389 19. H.R. Haweis
'The Listener' and 'Planes of Emotion'
in Music and Morals (London: Strahan & Co.
1871)
pp. 94-100 20. Edmund Gurney
'The Two Ways of Hearing Music'
The Power of Sound (London: Smith
Elder & Co.
1880)
pp. 104-111 21. John Stainer
Music in its relation to the Intellect and the Emotions (London: Novello & Co.
1892)
pp. 49-64 22. W.H. Hadow
'Faculties of Appreciation'
Studies in Modern Music second series (London: Seeley and Co.
1895)
pp. 3-25 23. Herbert Francis Hayes Newington
'Some Mental Aspects of Music' in Journal of Mental Science vol. 43 no. 183 (October 1897)
pp. 704-723 Part 3. Music Education 24. Anne Gunn
An Introduction to Music (Edinburgh: C. Stewart & Co
1803)
pp. i-xiii 25. Richard Mackenzie Bacon ['Vetus']
'On the Objects of Musical Education' in The Quarterly Musical Magazine and Review vol. 1 no. 4 (October 1818)
pp. 421-428 26. F.W. Horncastle
'Plan for the Formation of an English Conservatorio' The Quarterly Musical Magazine and Review vol. 4 no. 14 (April 1822)
pp. 129-133 27. Anon.
'Musical tuition; Letter to the Editor from The Father of a Family'
The Quarterly Musical Magazine and Review vol. 6 no. 23 (1824)
pp. 306-309 28. Eleanor Geary
Musical Education; with practical observations on the art of piano-forte playing (London: D'Almaine & Co.
1841)
pp. 5-17 29. Olivia Dussek Buckley
Musical Truths; or
an Analysis of Music (London: published for the author
1843)
pp. 13-30 30. Joseph Mainzer
Music and Education (London: Longman
Brown
Green and Longmans
1848)
pp. 88-96 31. John Hullah
Music as an Element of Education (London: John W. Parker and Son
1854)
p. 3-30 32. John Evans and W.G. McNaught
'Order and Manner of Teaching'
in The School Music Teacher (London: J. Curwen & Sons
1888)
pp. 255-268 33. Bettina Walker
My Musical Experiences (London: Richard Bentley and Son
1890)
pp. 15-31 34. C.F. Abdy Williams
'Development of the Modern Requirements for Musical Degrees'
A Short Historical Account of the Degrees in Music at Oxford and Cambridge (London and New York: Novello
Ewer & Co.
1893)
pp. 40-44 35. Anon.
'Mr. J. Spencer Curwen on the Tonic Sol-Fa Notation' in Strand Musical Magazine vol. 1 no. 4 (April 1895)
pp. 254-255 36. Charles Hallé
'The Royal Manchester College of Music' in Strand Musical Magazine vol. 1 no. 5 (May 1895)
pp. 323-329 Part 4. Theory and Philosophy 37. George Farquhar Graham
'Essay'
An Account of the first Edinburgh Musical Festival (Edinburgh: James Ballantyne & Co.
1816)
pp. 139-142
147-162 38. William Kitchener
Observations on Vocal Music (London: Hurst
Robinson & Co.
and Edinburgh: Archibald Constable & Co.
1821)
pp. 1-17 39. Lady Elizabeth Eastlake
'Music' in The Quarterly Review vol. 83 issue 166 (August 1848)
pp. 481-86
509-515 40. Herbert Spencer 'The Origin and Function of Music' in Fraser's Magazine (1857)
pp. 396-408 41. Henry Wylde
'Music in its Art-Mission'
in Music in its Art-Mysteries (London: L. Booth
1867)
pp. 105-124 42. 4Henry C. Lunn
'Descriptive Music' in The Musical Times and Singing Class Circular vol. 13 no. 310 (1 December 1868)
pp. 599-601 43. Edmund Gurney
'On Some Disputed Points in Music' in Fortnightly Review vol. 20 no. 115 (July 1876)
pp. 106-130. 44. H. R. Haweis
My Musical Life (London: Longmans
Green
and Co.
1884)
Book 2 Part 2 'The Rationale of Music' in pp. 136-159 45. Richard Wallaschek and James McKeen Cattell
'On the Origin of Music' in Mind vol. 16 no. 63 (July 1891)
pp. 375-388 46. C. Hubert H. Parry
The Art of Music (London: Kegan Paul
Trench
Trübner & Co.
1893)
Chapter 1 'Preliminaries' pp. 1-15 47. Ebenezer Prout
'The Relation of Musical Theory to Practice' in The Monthly Musical Record vol. 25 no. 292 (1 April 1895)
pp. 73-77 48. Samuel Coleridge Taylor
'On Music'
Address to students at Streatham School of Music (November 1905)
reprinted in Berwick Sayers
Samuel Coleridge-Taylor
Musician: His Life & Letters (London 1915)
pp. 177-179 Index