Introduction Music and the Myth of Apollo's Grove
John MacInnis The Consolation of Philosophy and the 'Gentle' Remedy of Music
Férdia J Stone
Davis And in England, There are Singers: Grafting Oneself into the Origins of Music
Elina G. Hamilton The Harmonious Blacksmith, Lady Music, and Minerva: The Iconographyof Secular Song in the Late Middle Ages
Jason Stoessel Foolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520
Tim Shephard Marsilio Ficino and Girolamo Cardano under Orpheus's Spell
Jacomien Prins Origin Myths, Genealogies, and Inventors: Defining the Nature of Musicin Early Modern England
Katherine Butler How to Sing like Angels: Isaiah, Ignatius of Antioch, and Protestant Worship in England
Jamie Apgar In Pursuit of Echo: Sound, Space, and the History of the Self
Ljubica Ilic Ophelia's Mad Songs and Performing Story in Early Modern England
Samantha Bassler Dangerous Beauty: Stories of Singing Women in Early Modern Italy
Sigrid Harris 'Fantastic Spirits': Myth and Satire in the Ayres of Thomas Weelkes
Katie Bank Feeling Fallen: A Re
telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell's 'A Dialogue between Thyrsis and Dorinda'
Aurora Faye Martinez 'Armida's Picture we from Tasso Drew'?: The Rinaldo and Armida Story in Late
Seventeenth
and Early
Eighteenth
Century English Operatic Entertainments
Amanda Eubanks Winkler Translating Myth Through Tunes: Ebenezer Forrest's Ballad Opera Adaptation of Louis Fuzelier's Momus Fabuliste (1719
29)
Erica Levenson Bibliography
