Music Preservation and Archiving Today
Herausgeber: Guthrie, Norie; Carlson, Scott
Music Preservation and Archiving Today
Herausgeber: Guthrie, Norie; Carlson, Scott
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Music Preservation and Archiving Today moves beyond the how-to and assembles the work currently being done to preserve music and "scenes" via essays, case studies, and overviews of work by academic archives as well as community driven preservation projects.
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Music Preservation and Archiving Today moves beyond the how-to and assembles the work currently being done to preserve music and "scenes" via essays, case studies, and overviews of work by academic archives as well as community driven preservation projects.
Produktdetails
- Produktdetails
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 210
- Erscheinungstermin: 20. April 2018
- Englisch
- Abmessung: 235mm x 157mm x 17mm
- Gewicht: 499g
- ISBN-13: 9781538102930
- ISBN-10: 1538102935
- Artikelnr.: 51151215
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 210
- Erscheinungstermin: 20. April 2018
- Englisch
- Abmessung: 235mm x 157mm x 17mm
- Gewicht: 499g
- ISBN-13: 9781538102930
- ISBN-10: 1538102935
- Artikelnr.: 51151215
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Norie Guthrie is an archivist and special collections librarian at Fondren Library's Woodson Research Center at Rice University. While her job requires her to do a little bit of everything, she specializes in collecting and processing music materials from the Houston Folk Music Archive, which she began in 2016. She is also one-half of the duo behind Indie Preserves, which aims to provide music preservation tips to the DIY music community. Scott Carlson is the metadata coordinator at Fondren Library, Rice University. He received his MLIS from Dominican University in River Forest, Illinois, and an Archives Certificate in Digital Stewardship from Simmons College. With Norie Guthrie, he co-founded Indie Preserves, a website that provides practical preservation advice to independent music labels and bands.
Part I: Documenting Local Music Communities
Chapter 1: "Preserving Rock and Roll History on the North Coast" by Andy
Leach & Jennie Thomas
Chapter 2: "Establishing a Regional Music Archives at the University of
Illinois" by Rory Grennan, Katherine Nichols, and Scott W. Schwartz
Chapter 3: "Pushing the Boundaries of Donor Relations to Build the Houston
Folk Music Archive" by Norie Guthrie
Chapter 4: "Building Punk and Heavy Metal Collections at UCLA Library
Special Collections" by Megan Hahn Fraser and Melissa Haley
Part II: Leveraging Archival Materials
Chapter 5: "Exploring the Houston Folk Music Archive in the First-Year
Classroom" by Andrew A. Klein
Chapter 6: "Mastering the Sonics of Historic Recording Media" by Jessica
Thompson
Chapter 7: "Exploring the Attics of the Counterculture" by Jesse Jarnow
Part III: Outsider Music Preservation
Chapter 8: "Preserving Underground Hip Hop Tapes in Ethnographic Context"
by Anthony Kwame Harrison
Chapter 9: "Pursuing Preservation in the DIY Music Community" by Norie
Guthrie Scott Carlson
Chapter 10: "Preserving Music Through Reissues" by Jeremy Berg
Chapter 11: "Bootleg Compilations as Fan Preservation" by Scott Carlson
Appendix 1: Rock and Roll Hall of Fame Scan Day Permission and Donation
Form
Appendix 2: Indie Preserves Survey
Chapter 1: "Preserving Rock and Roll History on the North Coast" by Andy
Leach & Jennie Thomas
Chapter 2: "Establishing a Regional Music Archives at the University of
Illinois" by Rory Grennan, Katherine Nichols, and Scott W. Schwartz
Chapter 3: "Pushing the Boundaries of Donor Relations to Build the Houston
Folk Music Archive" by Norie Guthrie
Chapter 4: "Building Punk and Heavy Metal Collections at UCLA Library
Special Collections" by Megan Hahn Fraser and Melissa Haley
Part II: Leveraging Archival Materials
Chapter 5: "Exploring the Houston Folk Music Archive in the First-Year
Classroom" by Andrew A. Klein
Chapter 6: "Mastering the Sonics of Historic Recording Media" by Jessica
Thompson
Chapter 7: "Exploring the Attics of the Counterculture" by Jesse Jarnow
Part III: Outsider Music Preservation
Chapter 8: "Preserving Underground Hip Hop Tapes in Ethnographic Context"
by Anthony Kwame Harrison
Chapter 9: "Pursuing Preservation in the DIY Music Community" by Norie
Guthrie Scott Carlson
Chapter 10: "Preserving Music Through Reissues" by Jeremy Berg
Chapter 11: "Bootleg Compilations as Fan Preservation" by Scott Carlson
Appendix 1: Rock and Roll Hall of Fame Scan Day Permission and Donation
Form
Appendix 2: Indie Preserves Survey
Part I: Documenting Local Music Communities
Chapter 1: "Preserving Rock and Roll History on the North Coast" by Andy
Leach & Jennie Thomas
Chapter 2: "Establishing a Regional Music Archives at the University of
Illinois" by Rory Grennan, Katherine Nichols, and Scott W. Schwartz
Chapter 3: "Pushing the Boundaries of Donor Relations to Build the Houston
Folk Music Archive" by Norie Guthrie
Chapter 4: "Building Punk and Heavy Metal Collections at UCLA Library
Special Collections" by Megan Hahn Fraser and Melissa Haley
Part II: Leveraging Archival Materials
Chapter 5: "Exploring the Houston Folk Music Archive in the First-Year
Classroom" by Andrew A. Klein
Chapter 6: "Mastering the Sonics of Historic Recording Media" by Jessica
Thompson
Chapter 7: "Exploring the Attics of the Counterculture" by Jesse Jarnow
Part III: Outsider Music Preservation
Chapter 8: "Preserving Underground Hip Hop Tapes in Ethnographic Context"
by Anthony Kwame Harrison
Chapter 9: "Pursuing Preservation in the DIY Music Community" by Norie
Guthrie Scott Carlson
Chapter 10: "Preserving Music Through Reissues" by Jeremy Berg
Chapter 11: "Bootleg Compilations as Fan Preservation" by Scott Carlson
Appendix 1: Rock and Roll Hall of Fame Scan Day Permission and Donation
Form
Appendix 2: Indie Preserves Survey
Chapter 1: "Preserving Rock and Roll History on the North Coast" by Andy
Leach & Jennie Thomas
Chapter 2: "Establishing a Regional Music Archives at the University of
Illinois" by Rory Grennan, Katherine Nichols, and Scott W. Schwartz
Chapter 3: "Pushing the Boundaries of Donor Relations to Build the Houston
Folk Music Archive" by Norie Guthrie
Chapter 4: "Building Punk and Heavy Metal Collections at UCLA Library
Special Collections" by Megan Hahn Fraser and Melissa Haley
Part II: Leveraging Archival Materials
Chapter 5: "Exploring the Houston Folk Music Archive in the First-Year
Classroom" by Andrew A. Klein
Chapter 6: "Mastering the Sonics of Historic Recording Media" by Jessica
Thompson
Chapter 7: "Exploring the Attics of the Counterculture" by Jesse Jarnow
Part III: Outsider Music Preservation
Chapter 8: "Preserving Underground Hip Hop Tapes in Ethnographic Context"
by Anthony Kwame Harrison
Chapter 9: "Pursuing Preservation in the DIY Music Community" by Norie
Guthrie Scott Carlson
Chapter 10: "Preserving Music Through Reissues" by Jeremy Berg
Chapter 11: "Bootleg Compilations as Fan Preservation" by Scott Carlson
Appendix 1: Rock and Roll Hall of Fame Scan Day Permission and Donation
Form
Appendix 2: Indie Preserves Survey







