Through close readings of documentary film soundscapes, the essays in Music, Sound, and Documentary Film in the Global South provide new perspectives on the sonic dimension of nonfiction film outside the European-American mainstream.
Through close readings of documentary film soundscapes, the essays in Music, Sound, and Documentary Film in the Global South provide new perspectives on the sonic dimension of nonfiction film outside the European-American mainstream.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Christopher L. Ballengee is an ethnomusicologist based in Poland, where he works as an academic editor and English teacher. He is director of the feature-length documentary film Sweet Tassa: Music of the Indian Caribbean Diaspora (2019) and author of numerous articles on music in Trinidad and Tobago.
Inhaltsangabe
Introduction: Being Heard: Music, Sound, and Documentary Film in the Global South Christopher L. Ballengee Chapter 1. Helping a Nation to Know Itself: Postcolonial Identity and Sonic Horizons at Films Division India, 1950-1975 Rounak Maiti Chapter 2. Invisible Architecture, Radical Ethnography: Juan Downey and the Sound of Laughter Michael Newell Witte Chapter 3. Drum Making as a Way of Life in South-Central Uganda: A Filmic Approach Damascus Kafumbe Chapter 4. Narrating a Revolutionary Life through Song: Personal, Political, and Musical Choices in Making Singing a Great Dream Anna Stirr and Bhakta Syangtan Chapter 5. Beyond the Visual: The Use of Sound in Tales from Our Childhood Rajesh James and Malavika Pillai Chapter 6. Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries Daniel Nevárez Araújo and Nelson Varas-Díaz Chapter 7. Framing the Future: The Take, Nine Queens, and Argentina's Neoliberal Soundscapes Yovanna Pineda and Lucas Izquierdo Chapter 8. Under the Amazon Sun: Musical Composition, Filmic Form, and Encounters of History and the Everyday in Antonio Wong Rengifo's Chronotopias of the Peruvian Amazon Aleksander Sedzielarz Chapter 9. Aural Identities: Auditive Representations of Ethnicity in Documentary Film Miki Brunou Chapter 10. Only Connect: Two Trinidads, Two Documentaries Andre Bagoo About the Contributors
Introduction: Being Heard: Music, Sound, and Documentary Film in the Global South Christopher L. Ballengee Chapter 1. Helping a Nation to Know Itself: Postcolonial Identity and Sonic Horizons at Films Division India, 1950-1975 Rounak Maiti Chapter 2. Invisible Architecture, Radical Ethnography: Juan Downey and the Sound of Laughter Michael Newell Witte Chapter 3. Drum Making as a Way of Life in South-Central Uganda: A Filmic Approach Damascus Kafumbe Chapter 4. Narrating a Revolutionary Life through Song: Personal, Political, and Musical Choices in Making Singing a Great Dream Anna Stirr and Bhakta Syangtan Chapter 5. Beyond the Visual: The Use of Sound in Tales from Our Childhood Rajesh James and Malavika Pillai Chapter 6. Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries Daniel Nevárez Araújo and Nelson Varas-Díaz Chapter 7. Framing the Future: The Take, Nine Queens, and Argentina's Neoliberal Soundscapes Yovanna Pineda and Lucas Izquierdo Chapter 8. Under the Amazon Sun: Musical Composition, Filmic Form, and Encounters of History and the Everyday in Antonio Wong Rengifo's Chronotopias of the Peruvian Amazon Aleksander Sedzielarz Chapter 9. Aural Identities: Auditive Representations of Ethnicity in Documentary Film Miki Brunou Chapter 10. Only Connect: Two Trinidads, Two Documentaries Andre Bagoo About the Contributors
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