Using a variety of methodological perspectives, this volume explores ethical and doctrinal implications in the social practice of music. Grouped according to the threefold ministry of Christ (prophet, priest, shepherd) the essays discuss a wide range of musicsâ from medieval chant and psalmody to protest songs, metal, and Daft Punk.
Using a variety of methodological perspectives, this volume explores ethical and doctrinal implications in the social practice of music. Grouped according to the threefold ministry of Christ (prophet, priest, shepherd) the essays discuss a wide range of musicsâ from medieval chant and psalmody to protest songs, metal, and Daft Punk.
Michael O'Connor is associate professor at St. Michael's College, University of Toronto. Hyun-Ah Kim is fellow of the Centre for Reformation and Renaissance Studies in the University of Toronto, and Hardenberg fellow at Johannes a Lasco Bibliothek. Christina Labriola is doctoral candidate at Regis College, Toronto School of Theology.
Inhaltsangabe
Introduction Part One: A Prophetic Role for Music: Protest and Liberation Chapter One: Turning Hymns into Protest: Zilphia Horton and the Role of Musical Memory in Labor in the New Deal Era Chapter Two: Punk Rock and/as Liberation Theology Chapter Three: Mercy, Music, and the Prophetic Voice of Theology: Jon Sobrino's Extra Pauperes Nulla Salus Chapter Four: A Prophetic Role for Music: A Response and Synthesis Part Two: A Pastoral Role for Music: Creating Community Chapter Five: Sacred Love: The (Eco)Theology of Sting Chapter Six: Music, Religion, and Peacebuilding: The Pontanima Choir of Sarajevo Chapter Seven: Breaking Stereotypes and Building Bridges: Nihilism, Lament, And Theodicy Within The Extreme Metal Music Culture Chapter Eight: A Pastoral Role For Music: Sacramental and Salvific Powers Part Three: A Priestly Role for Music: Reconciliation and Restoration Chapter Nine: Random Access Liturgies: Daft Punk as Robotic Priests Restoring Humanity Chapter Ten: Recalling the Original Harmony
Introduction Part One: A Prophetic Role for Music: Protest and Liberation Chapter One: Turning Hymns into Protest: Zilphia Horton and the Role of Musical Memory in Labor in the New Deal Era Chapter Two: Punk Rock and/as Liberation Theology Chapter Three: Mercy, Music, and the Prophetic Voice of Theology: Jon Sobrino's Extra Pauperes Nulla Salus Chapter Four: A Prophetic Role for Music: A Response and Synthesis Part Two: A Pastoral Role for Music: Creating Community Chapter Five: Sacred Love: The (Eco)Theology of Sting Chapter Six: Music, Religion, and Peacebuilding: The Pontanima Choir of Sarajevo Chapter Seven: Breaking Stereotypes and Building Bridges: Nihilism, Lament, And Theodicy Within The Extreme Metal Music Culture Chapter Eight: A Pastoral Role For Music: Sacramental and Salvific Powers Part Three: A Priestly Role for Music: Reconciliation and Restoration Chapter Nine: Random Access Liturgies: Daft Punk as Robotic Priests Restoring Humanity Chapter Ten: Recalling the Original Harmony
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826