Musical Mobilities analyses how a musical tradition moves, literally and metaphorically: the ways in which people, objects and information travel across geographical locations, just as practices as recognisable entities circulate along with meanings, competencies and embodied dispositions.
Musical Mobilities analyses how a musical tradition moves, literally and metaphorically: the ways in which people, objects and information travel across geographical locations, just as practices as recognisable entities circulate along with meanings, competencies and embodied dispositions.
Alejandro Miranda Nieto is a Postdoctoral Fellow at the Department of Sociology and Social Research at the University of Trento, Italy.
Inhaltsangabe
List of Figures Acknowledgements Introduction: Music, Circulation and Performance 1 The Heartbeat of Fandango 2 The Historical Circulation of Son Jarocho 3 Learning at Workshops 4 Journeying with a Practice 5 Rhythm, a Manner of Flowing 6 In the Grip of Friction Conclusion Appendix References Glossary of Selected Terms Index
List of Figures Acknowledgements Introduction: Music, Circulation and Performance 1 The Heartbeat of Fandango 2 The Historical Circulation of Son Jarocho 3 Learning at Workshops 4 Journeying with a Practice 5 Rhythm, a Manner of Flowing 6 In the Grip of Friction Conclusion Appendix References Glossary of Selected Terms Index
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