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Ku avañji refers to women who belong to the Kuravar community. From the 16th century to the 21st century, there have been numerous compositions of Ku avañjis. Research suggests that Kuram, a type of Prabandham, is the origin of this. V danayaka Castririyar wrote a Bethleh m Ku avañji in the early 19th century in dance form. The Musical Notations in Bethleh m-Ku avañji 's uniqueness can be seen in this way:- New stamps have been created to accurately reflect Ku avañji's characters without compromising tradition, which is the specialty of this research. - Lot of effort has been taken to provide…mehr

Produktbeschreibung
Ku avañji refers to women who belong to the Kuravar community. From the 16th century to the 21st century, there have been numerous compositions of Ku avañjis. Research suggests that Kuram, a type of Prabandham, is the origin of this. V danayaka Castririyar wrote a Bethleh m Ku avañji in the early 19th century in dance form. The Musical Notations in Bethleh m-Ku avañji 's uniqueness can be seen in this way:- New stamps have been created to accurately reflect Ku avañji's characters without compromising tradition, which is the specialty of this research. - Lot of effort has been taken to provide musical notation for Ku avañji's lyrics.- The study resulted in a table that shows the use of mudras in different texts.The book on Musical Notations in Bethleh m-Ku avañji was written and published with the objective of reaching members who are devoted to music. Many books were created based on Bethlehem-Ku avañji, but this book on Musical Notations in Bethlehem-Ku avañji is a new arrival to this world.
Autorenporträt
Dr. G.J. Leema Rose has been at Kalai Kaviri College of Fine Arts in Trichy for the past 13 years and has also been at Private Colleges for ten years. Received ten awards. Expert in all types of Folk dances, and Choreography. Staged 800 Cultural Dance Performances both in India and abroad. Interested in Research, guiding scholars and writing books.