This book problematises how the sense of self and subjectivities are understood in contemporary China, and provides illuminating new insights on the changing notion of the individual through cinema.
This book problematises how the sense of self and subjectivities are understood in contemporary China, and provides illuminating new insights on the changing notion of the individual through cinema.
Kiki Tianqi Yu is a filmmaker, scholar, and film curator. Her work includes feature documentary film China's van Goghs (2016), and edited volume China's iGeneration (2014). She is Lecturer in Film Practice at Queen Mary University of London.
Inhaltsangabe
List of Figures List of Main Terms with Chinese Translations List of Names with Chinese Character Translations Acknowledgements Introduction: Action, Amateurness and the Changing Sense of the Individual Self 1. Female First Person Documentary Practice: Negotiating Gendered Expectations 2. Amateurness and an Inward Gaze at Home 3. Nostalgia toward Laojia: Old Home as an Imagined Past 4. First Person Action Documentary Practice: Longing for a More Politicised Space 5. The Problematic Public Self: Ethics, Camera and Language in Contestable Minjian Public Spaces 6. Camera Activism: Provocative Documentation, First Person Confrontation and Collective Force 7. Whose Self on Camera? Motives, Mistrust, Disputed Authenticities 8. From Fragile First Person Documentary Practice to Popular Online First Person Live Streaming Broadcast - Zhibo: Changing Intentions, Changing Individual Selves Filmography Bibliography Index
List of Figures List of Main Terms with Chinese Translations List of Names with Chinese Character Translations Acknowledgements Introduction: Action, Amateurness and the Changing Sense of the Individual Self 1. Female First Person Documentary Practice: Negotiating Gendered Expectations 2. Amateurness and an Inward Gaze at Home 3. Nostalgia toward Laojia: Old Home as an Imagined Past 4. First Person Action Documentary Practice: Longing for a More Politicised Space 5. The Problematic Public Self: Ethics, Camera and Language in Contestable Minjian Public Spaces 6. Camera Activism: Provocative Documentation, First Person Confrontation and Collective Force 7. Whose Self on Camera? Motives, Mistrust, Disputed Authenticities 8. From Fragile First Person Documentary Practice to Popular Online First Person Live Streaming Broadcast - Zhibo: Changing Intentions, Changing Individual Selves Filmography Bibliography Index
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