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A collection that captures poignant memories and persistent histories from a celebrated poet of Northern Ireland WINNER OF THE PEN HEANEY PRIZE SHORTLISTED FOR THE T. S. ELIOT PRIZE I guess I must have been in two minds about the new day as the daylight gods began to march in straight lines >from "The Spare Room" In his first collection for more than a decade, Tom Paulin revisits themes of place, occupation, conflict and legacy, primarily in the context of his native Northern Ireland. Stories and memories, even histories, are shown to be both frail and persistent, troubling and vital. There is…mehr

Produktbeschreibung
A collection that captures poignant memories and persistent histories from a celebrated poet of Northern Ireland WINNER OF THE PEN HEANEY PRIZE SHORTLISTED FOR THE T. S. ELIOT PRIZE I guess I must have been in two minds about the new day as the daylight gods began to march in straight lines >from "The Spare Room" In his first collection for more than a decade, Tom Paulin revisits themes of place, occupation, conflict and legacy, primarily in the context of his native Northern Ireland. Stories and memories, even histories, are shown to be both frail and persistent, troubling and vital. There is a powerful austerity in play as he sets aside the rhetorical force and linguistic dazzle for which he is renowned, to speak simply of later life and the losses it brings: "if only some idea / could find its way / through enemy territory / then I'd at last begin / to look up at the sky." As outward-looking as ever, he also includes here intimate and resonant versions from Brecht and Ronsard, and from the contemporary Palestinian poet, Walid Khazendar.
Autorenporträt
Tom Paulin grew up in Belfast and now lives in Oxford, where he is Emeritus Fellow of Hertford College, University of Oxford. He has published six books of critical prose on topics including Thomas Hardy and William Hazlitt, several plays, two anthologies and ten collections of poetry. His New Selected Poems appeared in 2014.