Nate is pulled into a mission to rescue a kidnapped woman, being held in Paris. But a normal mission versus one run by Terkel is a whole different story. Nate's first telepathic communication tells him that this will be like nothing else in his life. During a layover in Paris, while traveling to start a job in Africa with Bullard, Madeline awoke, tied up in a strange hotel room with another female captive, named Anna. Nate comes to the rescue and shares how he had been called in to locate Madeline, when she didn't arrive as planned. Yet she wonders if she can trust him, especially when she has…mehr
Nate is pulled into a mission to rescue a kidnapped woman, being held in Paris. But a normal mission versus one run by Terkel is a whole different story. Nate's first telepathic communication tells him that this will be like nothing else in his life. During a layover in Paris, while traveling to start a job in Africa with Bullard, Madeline awoke, tied up in a strange hotel room with another female captive, named Anna. Nate comes to the rescue and shares how he had been called in to locate Madeline, when she didn't arrive as planned. Yet she wonders if she can trust him, especially when she has no recollection of who kidnapped her in the first place. ¿¿¿¿¿When Anna disappears again, Madeline's even more worried. What are the chances the kidnappers are looking for round two with Madeline as well?
Hey there. I'm a Canadian USA Today best-selling author, and I love writing for everyone-whether you're young, old, or somewhere in between. My books? Well, they're a mixed bag. Some are steamy, some are sweet, and a few might have you sleeping with the lights on. Others are perfect for snuggling up with.I've never been one to color inside the lines or stick to a single path. I embrace the wild stories that pop into my head, even if they break the rules and dance across genres. A few years ago, I switched to dictating my stories because my fingers were starting to feel the impact of my steady 10,000 words a day. Dictating is linear, so it silences my internal editor. You can't stop to ensure something is perfect or to see what needs changing-you must continue onward. This approach has allowed me to let my muse take the lead and to feel the story pour from my heart. My mind steps in during the editing process, but, until then, it's all about letting the characters direct the story. That's why my stories have that existential feel of a Dale Mayer book.And you know what? That's totally okay with me.One thing's for sure: every book I write promises to be a great read, every single time.
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