Nation, Nationalism and Indian Hindi Cinema
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This book explores the complex relationship between Indian nationalism and Hindi cinema, examining how film serves as a crucial medium due to its visual narrative power and connections to traditional cultural forms including Parsi theatre, folk traditions, and mythological storytelling.

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Produktbeschreibung
This book explores the complex relationship between Indian nationalism and Hindi cinema, examining how film serves as a crucial medium due to its visual narrative power and connections to traditional cultural forms including Parsi theatre, folk traditions, and mythological storytelling.
Autorenporträt
Goutam Karmakar is Assistant Professor in the Department of English at the School of Humanities, University of Hyderabad, India. He is also an associate member at the Global South Studies Center (GSSC), University of Cologne, Germany, and an honorary research associate at the Faculty of Arts and Design, Durban University of Technology, South Africa. Karmakar has been awarded several research and visiting fellowships, including the prestigious Alexander von Humboldt Postdoctoral Fellowship at Multidisciplinary Environmental Studies in the Humanities (MESH), University of Cologne, Germany, and the National Research Foundation Postdoctoral Fellowship at the Faculty of Education, University of Western Cape, South Africa. Karmakar's research interests include literature of the Global South, postcolonial and decolonial studies, environmental studies, and cultural studies. Karmakar edits the journal Global South Literary Studies (published by Routledge, Taylor & Francis group) and also serves as a series editor for the Routledge book series South Asian Literature in Focus. Pippa Catterall is Professor of History and Policy at the School of Humanities at the University of Westminster, UK. She has published extensively on religious, political, constitutional, diplomatic, intelligence, and media history.