Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec.
Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec.
Erin Hurley is a professor of drama and theatre in the Department of English at McGill University.
Inhaltsangabe
List of Illustrations Preface 1. Marginals, Metaphors and Mimesis National Construction: Quebec's Modernity at Expo 67 2. National Reflection: Michel Tremblay's Les belles-soeursand le nouveau théâtre québécois 3. National Simulation: Marco Micone's culture immigrée 4. National Metonymy: Arresting images in the devised works of Carbone 14 5. National Affection: Céline Dion Works Cited
List of Illustrations Preface 1. Marginals, Metaphors and Mimesis National Construction: Quebec's Modernity at Expo 67 2. National Reflection: Michel Tremblay's Les belles-soeursand le nouveau théâtre québécois 3. National Simulation: Marco Micone's culture immigrée 4. National Metonymy: Arresting images in the devised works of Carbone 14 5. National Affection: Céline Dion Works Cited
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