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Situated in the Human Sciences and, more specifically, in the field of Philosophy of Language, this monograph is an analysis of the work Kaze no Tani no Nausicaa (Nausicaa of the Valley of the Winds) by Hayao Miyazaki, in its two concrete enunciations, comics and animated cinema, according to the theoretical presuppositions of the Bakhtin Circle. The need to understand Hayao Miyazaki's message through Nausicaa, from the perspective of the Bakhtin Circle, formed the justification that drove the task of developing this work. The general aim of the research is to interpret the scene "the…mehr

Produktbeschreibung
Situated in the Human Sciences and, more specifically, in the field of Philosophy of Language, this monograph is an analysis of the work Kaze no Tani no Nausicaa (Nausicaa of the Valley of the Winds) by Hayao Miyazaki, in its two concrete enunciations, comics and animated cinema, according to the theoretical presuppositions of the Bakhtin Circle. The need to understand Hayao Miyazaki's message through Nausicaa, from the perspective of the Bakhtin Circle, formed the justification that drove the task of developing this work. The general aim of the research is to interpret the scene "the encounter with the fox-squirrel" from the work Kaze no Tani no Nausicaa (Nausicaa of the Valley of the Winds), in the comic book and film adaptation, from the theoretical assumptions of the Bakhtin Circle.
Autorenporträt
Pedro Marcelino trabaja como animador e ilustrador desde 2008. Es coautor de la novela gráfica "CONS" y fue animador en los largometrajes "Até que a Sbórnia nos Separe" y "Cidade dos Piratas". Cursa el último año (2018) de la licenciatura en Literatura en Unioeste, donde intenta relacionar los estudios lingüísticos con el arte secuencial - cómic y animación.