Andere Kunden interessierten sich auch für
![Laurence Sterne]( "Laurence Sterne")
Laurence Sterne176,99 €![The Grammar of Empire in Eighteenth-Century British Writing]( "The Grammar of Empire in Eighteenth-Century British Writing")
The Grammar of Empire in Eighteenth-Century British Writing107,99 €![The Grammar of Empire in Eighteenth-Century British Writing]( "The Grammar of Empire in Eighteenth-Century British Writing")
The Grammar of Empire in Eighteenth-Century British Writing44,99 €![James Joyce and the Act of Reception]( "James Joyce and the Act of Reception")
James Joyce and the Act of Reception105,99 €![Women and Property in the Eighteenth-Century English Novel]( "Women and Property in the Eighteenth-Century English Novel")
Women and Property in the Eighteenth-Century English Novel107,99 €![Eighteenth-Century Fiction and the Law of Property]( "Eighteenth-Century Fiction and the Law of Property")
Eighteenth-Century Fiction and the Law of Property107,99 €![Edmund Spenser and the Eighteenth-Century Book]( "Edmund Spenser and the Eighteenth-Century Book")
Edmund Spenser and the Eighteenth-Century Book113,99 €
Criticism and creativity characterised literary reception in eighteenth-century Britain. The press - periodicals, newspapers, and magazines - harboured the reviewing cultures belonging to the emerging professionalisation of literary criticism. It also provided highly fertile ground for creativity, including imitative items inspired by new publications, while critical reviews often incorporated parody. The press fostered experimentation among often anonymous reader-contributors, even while it facilitated the establishment of 'classic' works by recirculating well-known authors' names. Laurence Sterne's reception was energetically shaped by the interaction between critical and creative responses: the press played a major role in forging his status as an 'inimitable' author of note.