New Critical Nostalgia explores literary study's nostalgic attachments to its past by recasting an essential episode in the historiography of English-the vigorous rejection of romanticism by American New Critics-in the new light of the midcentury American university's tectonic growth.
New Critical Nostalgia explores literary study's nostalgic attachments to its past by recasting an essential episode in the historiography of English-the vigorous rejection of romanticism by American New Critics-in the new light of the midcentury American university's tectonic growth.
Christopher Rovee is Robert Penn Warren Professor of English at Louisiana State University. He is author of Imagining the Gallery: The Social Body of British Romanticism.
Inhaltsangabe
Introduction: Our Elegiac Professionalism 1 1 Ransom's Melancholy (Reading Wordsworth in Gambier, Ohio) 23 2 Shelley's Immaturity 52 3 Brooks and the Collegiate Public, Reading Keats Together 85 4 The Case of Byron 110 5 The Emergence of Josephine Miles (Reading Wordsworth in Berkeley, California) 135 Epilogue: The Fields of Learning 177 Acknowledgments 193 Notes 197 Index 253
Introduction: Our Elegiac Professionalism 1 1 Ransom's Melancholy (Reading Wordsworth in Gambier, Ohio) 23 2 Shelley's Immaturity 52 3 Brooks and the Collegiate Public, Reading Keats Together 85 4 The Case of Byron 110 5 The Emergence of Josephine Miles (Reading Wordsworth in Berkeley, California) 135 Epilogue: The Fields of Learning 177 Acknowledgments 193 Notes 197 Index 253
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