Yaron Peleg is Kennedy-Leigh Professor in Modern Hebrew Studies at the University of Cambridge. He is the author or editor of several books, including Israeli Cinema: Identities in Motion. Eran Kaplan is the Richard and Rhoda Goldman Professor in Israel Studies at San Francisco State University. He is the author of several books, including Projecting the Nation: History and Ideology on the Israeli Screen . Ido Rosen completed his PhD studies at the University of Cambridge. He was a member of the Israeli Film Critics Association and has worked as a journalist in a variety of leading media in his home country.
1. Introduction
2. Part I. Israeli Film in a Post-Cinematic Age
* 1. Toward a “Mystical Society”: Transcending the “Israeli” in Israeli
Cinema (Dan Chyutin)
* 2. Avi Nesher’s Present-Past Trilogy (Shmulik Duvdevani)
* 3. Palestinian Ghosts on Israeli Screens (Olga Gershenson)
* 4. Track Changes: The New Wave of Palestinian Cinema (Yael Ben-Zvi
Morad)
* 5. A Look at Ageing: Old Age in Israeli Documentary (Yael Shenker)
3. Part II. The Global Context of Israeli National Television
* 6. Set within a Set: TVs in Israeli Cinema, between the Local and the
Global (Eran Kaplan)
* 7. Inevitable Lies and Impossible Truths: Our Boys as Transnational
Docudrama (2019) (Itay Harlap)
* 8. Valley of Tears (2020) and the Aesthetics of Populism (Oded Nir)
* 9. The New Black: Haredi Jews on Israeli Television (Shayna Weiss)
4. Part III. The Creative Imperatives of Online Media in Israel and Beyond
* 10. Uploading Memory: Repurposing Historical Icons as Rituals of
Remembrance in Sagi Bornstein and Udi Nir’s #Uploading_Holocaust
(2016) (Yael Mazor)
* 11. Don’t Grow Up, It’s a Trap: The Temporality of Israeli Web
Comedies (Ido Rosen)
* 12. Genre Fluidity: The Case of Zot Vezoti (2019) (Yaron Peleg)
* 13. Welcome to the Middle East: Ethnicity, Disidentification, and
Queer Performativity in the Arisa Gay Mizrahi Videos (Raz Yosef)
5. Contributors
6. Index
