New Directions for Theorizing in Qualitative Inquiry consists of thematic edited volumes that help us understand how to put qualitative inquiry into practice. The chapters in each volume, from established and emerging scholars, represent new directions for incorporating theory into justice-oriented qualitative research. The series is designed to reach a wide audience of scholars and students in the humanities and social sciences. The series aims to bring about experimental ways of reading lives so as to implement radical social change. In focusing on performance as resistance, the present…mehr
New Directions for Theorizing in Qualitative Inquiry consists of thematic edited volumes that help us understand how to put qualitative inquiry into practice. The chapters in each volume, from established and emerging scholars, represent new directions for incorporating theory into justice-oriented qualitative research. The series is designed to reach a wide audience of scholars and students in the humanities and social sciences. The series aims to bring about experimental ways of reading lives so as to implement radical social change. In focusing on performance as resistance, the present volume features narratives, photographs, drawings, and performance autoethnographies.
Norman K. Denzin is Distinguished Emeritus Professor of Communications, College of Communications Scholar, and Research Professor of Communications, Sociology, and Humanities at the University of Illinois at Urbana-Champaign. James Salvo is a Lecturer in the College of Education at Wayne State University in Detroit, Michigan.
Inhaltsangabe
* Introduction * The Generic Activism of Just Performance * James Salvo * Chapter One * The World's Resistance in Arts-Based Research * Richard Siegsemund * Chapter Two * Failing Better: The Ethics of Critical Performance Autoethnography * Sophie Tamas * Chapter Three * Performance Autoethnography: Many Surfaces, Many Forms, Many Interpretations * Desiree Yomtoob * Chapter Four * Paradigmatic Situatedness of Performative Autoethnography: A Postcritical Perspective * William M. Sughrua * Chapter Five * Quest for Lunch and Comfort Zones: About Personal-Becoming-Political Encounters * Inge G. E. Blockmans * Chapter Six * Compositions: A Visual Essay * Jasmine B. Ulmer * Chapter Seven * Art-Making in Public—Impacting Positive Transformation * Aravindhan Natarajan * Chapter Eight * Poetics of Rage as Performative Creative Subversion: Autoethnography and Social Drama * César Antonio Cisneros Puebla * Chapter Nine * Saving Our Soul: Imagination as Activism * Nancy Gerber * Chapter Ten * Escaping into Liberatory and De/Colonial Possibilities: Juxtaposing Absurdity and Creativity * Kakali Bhattacharya * About the Authors * Index
* Introduction * The Generic Activism of Just Performance * James Salvo * Chapter One * The World's Resistance in Arts-Based Research * Richard Siegsemund * Chapter Two * Failing Better: The Ethics of Critical Performance Autoethnography * Sophie Tamas * Chapter Three * Performance Autoethnography: Many Surfaces, Many Forms, Many Interpretations * Desiree Yomtoob * Chapter Four * Paradigmatic Situatedness of Performative Autoethnography: A Postcritical Perspective * William M. Sughrua * Chapter Five * Quest for Lunch and Comfort Zones: About Personal-Becoming-Political Encounters * Inge G. E. Blockmans * Chapter Six * Compositions: A Visual Essay * Jasmine B. Ulmer * Chapter Seven * Art-Making in Public—Impacting Positive Transformation * Aravindhan Natarajan * Chapter Eight * Poetics of Rage as Performative Creative Subversion: Autoethnography and Social Drama * César Antonio Cisneros Puebla * Chapter Nine * Saving Our Soul: Imagination as Activism * Nancy Gerber * Chapter Ten * Escaping into Liberatory and De/Colonial Possibilities: Juxtaposing Absurdity and Creativity * Kakali Bhattacharya * About the Authors * Index
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